SHELLEY SEGAL ANNOUNCES NEW SINGLE, BACKGROUND NOISES ALONGSIDE NATIONAL TOUR
Having just returned from a huge 40-date tour in the US, spirited Melbourne singer songwriter, Shelley Segal has announced the release of her new single, Background Noises. The flirtatious storyteller will hit the road for a string of national dates kicking off in Perth on November 18, moving through Adelaide, on to Victoria to play Dromana, Bennetts Lane and Paynesville, Brisbane, Albury, back to Adelaide and then home to Melbourne to complete the tour at Shelley’s regular Collins Square residency on December 18.
Lifted from her Strange Feeling EP (released May 2015), Background Noises is a blissfully lush and layered song, full of strings, keys and horns. Background Noises shows a more vulnerable and delicate side to the prolific and often opinionated singer songwriter. Written after the divorce of close friends and trying to imagine the situation from their perspective, Shelley explains, “The chorus seems to mean something different to me each time I sing it. Sometimes a shock, a deep loss, a painful reminder, an acceptance, a coming to terms with, a finality, a longing, an assertiveness, a future, a determinedness. As such a change would at different times of reflection. It’s not just a love or relationship lost but a physical place – a space and time that was all encompassing and is now gone.”
Shot and directed by Vince Lamberti (Bus Stop: Best Short Film 2011 Fist Full of Films Festival), the video clip is a visual expression of the song. “It’s documenting the loss of the spaces that vanish with drastic change and the accompanying pain and sadness,” explains Shelley. “It also touches on the positives of the growth and gains that can come after loss.”
An engaged and passionate touring artist, Shelley is eager to be back in Australia and share her recent experiences on stage with her local fans. “I’m excited to be back in Aus and to share what I’ve built: A space to reflect on the everyday, to see the layers of meaning behind each experience and how they shape us and our world,” she enthuses.
Strange Feeling (2015) fits seamlessly in to Shelley’s impressive back catalogue of releases, from her internationally inspired pop album, An Easy Escape (2013) through to her folk-pop protest record, An Atheist Album (2012) and collaborative Jazz album with Adam Levy (Norah Jones, Tracy Chapman), Little March (2013). Shelley also wrote and recorded award-winning track, Chemistry, with DJ Carl Cox, which spent two weeks at #1 on the dance charts in 2011.
BOY & BEAR ‘LIMIT OF LOVE’ DEBUTS AT #1 ON ARIA ALBUM CHART
As Boy & Bear prepare for their live shows in Europe and the USA, the much loved Australian band are celebrating their second #1 ARIA Album with ‘LIMIT OF LOVE’ skyrocketing to the top of the ARIA ALBUM CHART this week.
Surprising their fans last week with an impromptu mini-gig in Sydney’s CBD, Boy & Bear performed new songs off the album showing why Limit Of Love has been receiving great praise around the country. Their acoustic set also included classic songs from their double-platinum Moonfire album and the #1 ARIA Album Harlequin Dream leaving the crowd with a taste of what’s to come on their National ‘Limit Of Love’ tour early 2016.
“The imminent third record from rock quintet Boy & Bear will bolster their ranks” Kathy McCabe News Limited
“Folk-pop ensemble stay fresh with album number three” Rolling Stone Magazine Australia
“Loaded with tasteful yet sumptuous melodies” Simon Collins, The West Australian
“Their strongest yet, blending all their preceding strengths into a record brimming with character” The Brag
“Their power as a live outfit translate into their music-making process with their most refined effort to date” The Music
“Another successful album in Australia” Craig Mathieson, SMH/THE AGE
“This album captures a band at the height of their powers, both as live performers and collective composers this time around “ Speaker TV
“Boy & Bear capture the essence of Australia in music that is earnest and authentic, which rarely fails to evoke emotion” Howl & Echoes
“A stripped back record that cuts to the heart of what has brought them critical and commercial acclaim” Beat Magazine
Written together as a full band and recorded live to tape with Ethan Johns (Ryan Adams, Kings of Leon, Kaiser Chiefs), the five- time ARIA winners recorded their third studio album Limit Of Love in the inspirational surroundings of Peter Gabriel’s Real World Studio.
Their first single released from the album, Walk the Wire was instantly added to Triple J (reaching #1 Most Played) and continues to be supported by the National Broadcaster as well as the Triple M Network. In addition, the hilarious and somewhat out-of-character official video has become a band favourite.
Limit of Love is a recording that is less about fine-tuning everything to the nth-degree, and more about capturing a band at the height of their powers in an honest, organic way. It’s an approach most modern bands would be too scared to try, but for Boy & Bear, that leap of faith has proven to be a very successful masterstroke.
BOY & BEAR – LIMIT OF LOVE TOUR
Art of Sleeping and Montaigne.
presented by triple j
On Sale Now from www.boyandbear.com
FRI 22 JAN | ODEON THEATRE, HOBART TAS
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
SAT 23 JAN | FESTIVAL HALL, MELBOURNE VIC
Tickets available from www.ticketmaster.com.au | 136 100 | All Ticketmaster Outlets
FRI 29 JAN | THEBARTON THEATRE, ADELAIDE SA
Tickets available from www.ticketmaster.com.au | 136 100 | All Ticketmaster Outlets
SAT 30 JAN | RED HILL AUDITORIUM, PERTH WA
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
FRI 12 FEB | HORDERN PAVILION, SYDNEY NSW
Tickets available from www.ticketek.com.au | 132 849 | All Ticketek Outlets
SAT 13 FEB | RIVERSTAGE, BRISBANE QLD
Tickets available from www.ticketmaster.com.au | 136 100 | All Ticketmaster Outlets
HOLY HOLY DROP LIVE VIDEO FOR NEW SINGLE ‘A HEROINE’ + EMBARK ON EU / UK TOUR THIS WEEK
What a year it’s been for our favourite nostalgic indie rockers, Holy Holy! Now armed with their hugely successful, critically acclaimed debut album, When The Storms Would Come, they’ve wowed audiences at every leg of their extensive, sold-out national tour of Aus, played a killer set at Splendour In The Grass, created a massive buzz abroad with their international album release, and will next week embark on their second tour of Europe and the UK for the year. And before they head off, they’ve today gifted fans with a video for new single, A Heroine, filmed during the weekend of their two sold out headline shows at Howler, in Melbourne.
Explaining the inspiration behind the song, lead singer and songwriter Tim Carroll says, “I was listening to a Melvin Bragg podcast about the Ming Dynasty and I was struck with this idea about how over time and place it’s the same few struggles and triumphs that people have. It’s love and loss and death. It’s rivers and roads and moving. It’s trust, betrayal and growing old. Whether in China in 1310 or Ireland in 1970 or us, now.”
The clip for A Heroine was a collaboration between producer/sound engineer Jonathan Steer and film maker Drew Dunlop. “We’ve been working with Jonathan for a while now, he comes on the road to do sound for us and we’ve grown close. He’s very thoughtful and knowledgeable and we like his bold approach to live mixing,” says Carroll. “It’s nice to capture a bit of what the live show is like.”
Holy Holy is fronted by the songwriting team, vocalist/composer Timothy Carroll and guitarist/composer Oscar Dawson. They are joined on the road by permanent drummer Ryan Strathie (Hungry Kids Of Hungary, Andy Bull), touring bassist Graham Ritchie (Airling, Emma Louise), and Brisbane-based producer Matt Redlich as their touring keys player.
What the critics are saying about When The Storms Would Come:
“One of the standout albums to be released this year…Almost perfect” The Daily Telegraph
“When they’re fully engaged, they go at songs like Arcade Fire, 120 per cent committed.” news.com.au
“A killer of a record” Indieshuffle
“This is a brave debut album – a dense, sophisticated effort that attempts to blend Bowie with Band Of Horses, or Springsteen with Midlake. and ends up succeeding” Best Before
UK / EU ‘WHEN THE STORMS WOULD COME’ TOUR DATES
FRI 23 OCT | BRUSSELLS, BE | BOTANIQUE / WITLOOFBAR
SAT 24 OCT | SWOLLE, NE | LET’S GET LOST
SUN 25 OCT | HAMBURG, GER | MOLOTOW SKY BAR
TUE 27 OCT | BERLIN, GER | COMET CLUB
THU 29 OCT | UTRECHT, NL | EKKO
FRI 30 OCT | AMSTERDAM, NL | LONDON CALLING, PARADISO
SAT 31 OCT | LIVERPOOL, UK | LIVERPOOL MUSIC WEEK
MON 02 NOV | LONDON, UK | LEXINGTON
TU 03 NOV | MANCHESTER, UK | SOUNDCONTROL