MAXON RELEASES DEBUT ALBUM ‘TALKING WITH STRANGERS’ OUT TODAY
Melbourne singer-songwriter Maxon today releases her long-awaited debut album Talking With Strangers a deeply personal, open-hearted collection that cements her as one of the city’s most compelling new voices, and sets the stage for a special hometown celebration at The Toff.
Threading together singles Little Blue, Tangerine Dream and 18, the album unfolds as her “loudest love letter so far” traversing heartbreak, healing, longing and radical honesty. Across its runtime, Maxon leans into her signature blend of Americana, ’70s folk-rock and modern pop, crafting songs that feel both intimate and expansive, anchored by her luminous vocals and an instinct for emotional storytelling that lingers long after first listen.
The album’s focus track Stranger captures the heart of the record, a stirring, soul-baring moment that leans into vulnerability and connection, embodying the themes of openness and self-discovery that run throughout the album. It’s a track that feels both deeply introspective and quietly anthemic, showcasing Maxon’s ability to turn personal reflection into something universally resonant.
Meanwhile, most recent single Little Blue stands as one of the album’s most tender moments. Written for her younger brother, the track unfolds with a gentle, pop-folk warmth, luminous vocals set against a sparse, glowing backdrop, swelling into a heartfelt meditation on family, distance and the unspoken ways we care for one another. It’s intimate, comforting and deeply human, offering a soft place to land within the album’s emotional arc.
Created alongside a close-knit circle of collaborators, the album captures the magic of shared experience, from delicate, lived-in instrumentation to moments of collective energy, reinforcing Maxon’s belief in music as a space for healing and belonging. It’s a philosophy that extends beyond the studio, with Maxon widely recognised as a festival favourite, a proud LGBTQIA+ artist and a passionate supporter of women’s communities, bringing that same sense of inclusivity and connection into her live shows.
And it’s on stage where these songs are set to take on new life. To celebrate the release, Maxon will bring Talking With Strangers to The Toff for a special Melbourne album launch, performing with a full six-piece band and inviting audiences into the record’s world of rich harmonies, emotional depth and shared joy. With more intimate shows already turning heads across Victoria in the lead-up, the Toff show promises to be a full-circle moment, a chance to experience the album as it was intended: together.
With Talking With Strangers out today, Maxon delivers a debut that feels both deeply personal and universally felt, an album that invites listeners in, holds them close, and reminds us of the quiet power in being seen, heard and connected.
THURS MAY 7 | THE TOFF, MELBOURNE VIC | 18+
Tickets available from Moshtix
EMILY ULMAN RETURNS WITH SPARKLING NEW SINGLE ‘SEVERE CLEAR’ THE TITLE TRACK FROM HER FORTHCOMING ALBUM, ‘SEVERE CLEAR’, OUT OCTOBER 10
A bright and dulcet addition to her ever-growing repertoire, Melbourne/Narrm singer-songwriter, and music industry legend, Emily Ulman today returns with Severe Clear, the sparkling title track from her forthcoming album of the same name set for release on Friday, October 10.
Blending her buoyant charm with acoustic, folk and pop elements, Severe Clear channels a poignant optimism, with Emily nodding to Johnny Nash’s I Can See Clearly Now to evoke “the hope after the heavy.” As Emily explains, “Severe clear is an aviation term describing skies so clear and cloudless that the endless visibility is too much to take in. I have always loved the phrase. Severe clear weather often follows a storm, and that resonates with me too. A furious, cloudy pocket of weather giving way to something calm and bright and still. Pilots say these conditions are dazzling,almost too perfect.”
“Severe Clear is a song about the moments that arrive after everything has settled,” Emily adds. “It’s about clarity that is so beautiful it is almost unbearable. That strange kind of beauty: perfect, but piercing. I think about weather a lot. I lean right in because it is intrinsic. And magical. This song lives in that space between forecast and feeling. It is about the quiet, everyday moments that suddenly become enormous in their clarity. Like standing in the middle of something spectacular and letting yourself be swept up by it. It is about love, about letting yourself be soft and fall, it’s about buying matching towels because you want to be one and the same. Johnny Nash wrote ‘I Can See Clearly Now’. And I’m borrowing the idea that after the clouds and hard times pass, something brighter takes their place. Sometimes clarity isn’t sharp or sudden or cold. Sometimes it is soft and patient and a little bit dizzying. And perfect.”
With Severe Clear – both the single and broader album – Emily worked alongside a stellar team to realise her creative vision. Produced and mixed by Bonnie Knight (Amyl and the Sniffers, Angie McMahon, Teen Jesus and the Jean Teasers) at The Aviary, with Every Hillside recorded at Soundpark, the album was mastered by Simon Berckelman (Courtney Barnett, Passenger, Lime Cordiale, Cate Le Bon). Drawing inspiration from the likes of Julia Jacklin, Adrienne Lenker, Big Thief, Pinegrove and Bill Callahan the album’s songwriting, structure and emotional weight are further enriched by contributions from Gab Strum (Japanese Wallpaper, Mallrat, Gretta Ray), Alex Lashlie (Closet Straights, Loose Tooth), and Soren Maryasin (Stella Bridie, Chitra).
Beginning with its glowing title track, Severe Clear opens on a serene and stirring note, offering an optimistic warm embrace drawing listeners into Emily’s inner world. From there, the album moves through intimate acoustic beauty and soothing harmonies (Every Hillside), wistful melodies over ethereal backdrops (Fans in the Stands), and a folksy yet cinematic ode to life’s highs and lows (Mountains Mountains Mountains). It balances polished introspection (Trundle), stripped-back glimmers that swirl through your bones (Lake Mistake), and gentle flourishes of empowerment (Planned Burn). At the midpoint of Severe Clear, is an exquisite, vulnerable modern love ballad (Liminal Spaces) that gives way to brooding melancholia (Toughest Tourniquet), before the raw, rousing penultimate track If It Isn’t True, where Emily shifts between vocal serenity and spoken word over sparse, moody instrumentation. Closing with Repeat Things, Severe Clear ends in resounding clarity and vulnerability, carrying inescapable undertones of optimism through heartache, change, and renewal – a perfect embodiment of Emily’s potent songwriting and performance, as well as the broader album’s themes.
“Severe Clear is about change,” shares Emily, “and renewal. About being brave enough to step back into something you love, even after a long absence. It is an album full of mountains and hillsides and clouds and clarity. It is about duality. The ability to hold two conflicting and coexisting truths at the same time. Severe Clear is deciduous. A letting go and a returning. A way to make peace with the cycles that keep pulling me back to songwriting, and back to myself.”
A defining force in the Australian music industry for over two decades, both on stage and behind the scenes, Emily Ulman’s lengthy tenure championing artists has seen her curate and program lineups at some of Melbourne’s most iconic venues, including The Prince Bandroom, The Gasometer Hotel, and The Toff In Town. Additionally, Emily has programmed some of the country’s most significant music events, including Brunswick Music Festival, White Night Melbourne, the CHANGES summit, and her own award-winning online festival Isol-Aid, which received the 2020 triple j J Award for “Done Good” and was named Best Festival at the 2021 Music Victoria Awards. Recently, Emily served as Executive Program Director for ALWAYS LIVE, a Victorian state-wide celebration of contemporary music, inclusive of emerging artists through to international icons, from sell-out stadiums through to intimate venues all playing home to these one-off, exclusive and community-focused events.
Dedicated to shaping a more progressive, inclusive and artist-first Australian music scene, Emily’s creative output is as acclaimed as her work behind the scenes, with her earlier 2025 single Every Hillside marking her first new solo material in over a decade. Now with her stunning and hotly-anticipated new album Severe Clear set for release this October, Emily has channelled her passions and creative core into a collection that is honest, intimate and destined to captivate.
“I’m a words and feelings to the front type of writer,” Emily reveals. “I have described my songwriting as emotional archaeology; digging through my memories to see what might still be living underneath. To sift and sort and better myself as a creator and as a person. I’m constantly taken by the intensity of a moment or phrase and the way a single word can unearth something you thought was long buried. And this is who I realise I am. I write to excavate. I sing to archive and fossilise and remember the mess and magic of it all.”
“It feels really good, really scary, really perfect, really disorienting to be releasing Severe Clear,” Emily concludes. “This is the first time in ten years that I’ve released music and it’s so familiar and wildly foreign. I’ve spent the past decade working behind the scenes in the music industry, but I never stopped writing. I’m glad that Severe Clear is the song and album returning me to my own music and creativity. It’s honest and personal, and I’m proud of it.”
Severe Clear (single) is out today.
Severe Clear (album) is due out Friday October 10.
Pre-order: SEVERE CLEAR (Album)
Pre-save: SEVERE CLEAR (Album)
TRACKLIST:
Side A
- Severe Clear
- Every Hillside
- Fans in the Stands
- Mountains Mountains Mountains
- Trundle
Side B
6. Lake Mistake
- Planned Burn
- Liminal Spaces
- Toughest Tourniquet
- If it Isn’t True
- Repeat Things
“Emily Ulman, you’ve done it again, it’s an exquisite song, ‘Mountains Mountains Mountains’…. it’s so lovely to hear a voice that we know so well as a co-host and a conversationalist, to hear that voice just amplified and there’s an alchemy that takes place that turns the voice we know into lyrical mode, it’s very specially to hear that tune…. what a storyteller, it’s a short song at 2 minutes 12 but she just packs so much in”. – David Astle – ABC Victoria statewide evenings
“Love how organic and natural this track (Mountains Mountains Mountains) feels! Emily Ulman creates a gorgeous atmosphere <3” –
Anika Luna – triple j
“It’s all sweetness when it comes to Emily Ulman. Dulcet yet pointed songwriting makes it the worth the wait after an almost-decade hiatus. Welcome back Emily!” – Sara Glaidous – triple j
Brazen Barbie Unleashes Her Boldest Era Yet with New Mixtape ‘BRAZEN’
Grit, glam, and unfiltered attitude collide as Kenyan-Australian artist Brazen Barbie drops her hotly anticipated mixtape BRAZEN, alongside the standout new single Deep End — out now.
A kaleidoscopic portrait of resilience, sass, and self-awareness, BRAZEN is a genre-bending, 12-track mixtape that walks the line between vulnerability and bravado. It’s not just music — it’s diary entries you can dance to.
Leading the charge is Ain’t No Dummy, the very first track locked in for the project — and the one that set the tone for everything that followed. “I wrote it during a time when I felt like people kept underestimating me,” Brazen Barbie shares. “In relationships, friendships, life. I wanted something bold, bratty, but still smart. There’s a real tension in choosing chaos — but doing it on your terms.”
With BRAZEN, Brazen Barbie brings her boldest self to the surface — showing off not only the bars, but the brains and bruises behind them. It’s her most personal, potent, and playful body of work to date.
Whether it’s the glittering menace of Doomsday, the swagger of Can’t Hang, or the soul-stirring resilience of Anyway, each track is layered with meaning and intention — even when delivered with a wink.
Having already turned heads at BIGSOUND, SXSW, Sydney Fringe Festival, and Promiseland, Brazen Barbie is no stranger to commanding a stage — or a space. Her Acclaim Magazine All Stars Class of ’24 nod and features in VICE, triple j Unearthed, and Life Without Andy to name just a few, only reinforce what’s already clear: she’s not here to follow. She’s here to lead.
“BRAZEN is a self-portrait,” she concludes. “Each track is a snapshot of a different mood or moment in my life, and a different version of the voice in my head. I wanted it to feel like turning up, in your head, and in a diary all at once.”
BRAZEN is out now on all platforms. Play it loud, feel it fully, and don’t say you weren’t warned.