JORDAN WILSON SHARES NEW SINGLE + VIDEO ‘TERMINALS’

The sonic equivalent of entering a dream world, the new single Terminals, the latest outing from Sydney singer-songwriter Jordan Wilson, murmurs and charms with otherworldly delights. Inspired by a cultural reset, Leonard Cohen and some well-timed real life absurdity, Terminals is also today accompanied by the release of a captivating and potent music video. And Jordan Wilson fans can also catch him performing the new single and many other musical delights alongside Motion Sickness at The Chippo Hotel in Sydney on Thursday 24 November and The Old Bar in Melbourne on Wednesday 7 December.

 

A fluid, intimate and atmospheric dive into Jordan’s heady musical world, Terminals marks the second single from Jordan’s solo endeavours, following on from the melancholic and delectably gripping 2021 track Totem. Boasting glimmering soundscapes, lush melodics and languid intensity, Terminals charms in its abstract yet approachable creative universe, as if Thom Yorke, Nick Cave and Agnes Obel were billowing through a dream accompanied by Jordan’s ever-emboldened stylings. Also inspired by Jordan’s own personal juxtaposition experienced after returning from living in Europe and being on a jobsite back home, Terminals grew from a moment of absurdity into something with much deeper meaning, as Jordan explains, Terminals was written after I had just gotten back from a stint living in Europe. I was a bit down and lost so my father corralled me in to coming to work for him. My body was in shock from going from sipping lattes on the Parisian streets to digging holes in the Australian suburbs. I overheard one of the other workers at lunch after going to the toilet: “You know mate, no matter how hard I shake it, there’s always two drops left”. I was eating lunch by myself, but it made me laugh out loud on the spot. Something about the absurdity of it all brought me back to earth and I was able to start writing again. That line means something else to me now, but it helps me to appreciate the many situations that life can throw you in.”

 

Working with Daniel Lee Kendall on Terminals, with Daniel co-producing and mixing, the sublime new track was mixed by William Bowden, while its equally mesmerising accompanying music video was brought to life by frequent Jordan collaborator Odin Umeofia as well as Jordan’s brother and fellow artist Lavrence. Featuring Jordan and his partner Maia Marsh, the clip ultimately embodies the notions of transformation and uncertainties, frequently flipping the watcher in and beyond the physical lighthouse, with the fanciful lyrical and ambient music coating proceedings. Devised by Jordan himself alongside his team, the end result draws you deeper into the Terminals narrative while, overall, blending hope with the unknown. “I came up with the concept of this clip alongside my collaborator Odin Umeofia and my brother Lavrence always helps as well,” shares Jordan of the Terminals music video. “My partner Maia Marsh who plays under her own name and a band called Motion Sickness features in it with me. It’s set at/in a lighthouse which represents the Terminal or house of transformation. It’s a powerful image as it sits on the coast as an isolated figure and calls out to the great unknown, guiding ghostly ships to shore. The clip cuts from ‘inside’ the lighthouse to out. I wanted the inner world to be freaky and spoofy to represent the underworld of the psyche and have that release of the outside shots culminating in the final lines of the song, ‘We know the way out’.”

 

An artist, songwriter and performer already firmly established for his work with indie duo Georgia Fair, Jordan has been steadily evolving his own solo creative works, with a debut solo album building on the horizon following the release of his debut solo single Totem and its follow up Terminals. Signing a major label deal at the age of 21, Jordan has previously landed two albums in the Top 100 ARIA charts, lived and recorded in Australia, Europe and America, and has previously toured and performed alongside the likes of John Mayer, Paul Kelly and Kate Miller-Heidke. Also recently publishing his first ever book last year, a collection of short stories and poems Some Short, Some Long, Jordan is set to weave more musical and creative magic beyond 2022; but there’s still plenty of magic left as the year draws to a close, including some live shows on the cards set to showcase even more Jordan’s solo work up close and personal, as Jordan concludes, “I think I’ll be going out as a duo for this run of shows. I’m still writing the album and trying songs out on the audience, so it’s nice to show them bare bones to really get down to the core of the message and see what comes across and what doesn’t.”

 

Terminals is out today, Friday November 18.

 

JORDAN WILSON – UPCOMING TOUR DATES:

 

THURS 24 NOV | THE CHIPPO HOTEL, CHIPPENDALE NSW

Supporting Motion Sickness

 

WED 7 DEC | THE OLD BAR, FITZROY VIC

Supporting Motion Sickness

 

Listen: TERMINALS

Watch: TERMINALS

DSP link: TERMINALS

WILLIE J & THE BAD BOOKS SHARE NEW SINGLE + VIDEO BACKDOOR MAN

Come and surrender your soul to the blues and grooving magic of the debut single from Willie J & The Bad Books, with Backdoor Man officially out in the world today. An energetic and passionate tune revelling in blues rock with an Australian flavour, Backdoor Man is accompanied by a black-and-white clip shot in a tram and showcasing the entire band doing what they do best. With the band set to imminently head into the studio to record their debut album, Backdoor Man is a sweltering introduction to the Melbourne amalgamation of Motorhead, Jimi Hendrix and Robert Johnson if they hung out in an Aussie pub. Having recently busted out onstage alongside Dallas Frasca in Fitzroy, the band also have a series of shows lined up in December and January, including an official single launch for Backdoor Man locked and loaded for Friday January 6 at the Northcote Social Club.

An energy-fuelled tune paying loving homage to the blues, Backdoor Man flexes its blues and psychedelic grooves alongside raw riffs and nods to the likes of Janis Joplin, Led Zeppelin, Marcus King, Bonnie Raitt and Stevie Ray Vaughan. Recorded and produced at guitarist Rick Steward’s home studio, Backdoor Man also lends its authentic charm to the track ultimately being captured in one take, as Rick himself explains, I didn’t want it to sound too polished, so I set limitation to the amount of microphones used on the drums, I used old mics on vocals, old instruments and old amps, it was hit in one take with minimal overdubbing. I think it’s important to set limits, most of The Beatles records were done with a 4 track, people forget that. I had my old friend and amazing engineer George Carpenter mix it in Queensland and Joe Carra at Crystal Mastering did the master”. And while the energetic new single showcases the band’s modern take on the blues world, Backdoor Man also directly claims its namesake from an old blues term, as lead vocalist and guitarist Willie J Maxwell reveals, “Back Door Man is an old blues term, true to form, when your lover betrays your trust and sneaks in the milkman when you’re spending the day at work.”

The music video for Backdoor Man brings the boogie-inducing musical stylings of Willie J & The Bad Books perfectly to life, with the energetic clip providing a visual introduction for many to the band via their debut outing, while also capturing the high octane performance on offer from the quintet in a live setting. “Dorothy Yow & Jake Halfhyde came up with concept,” shares Rick of the accompanying music video for Backdoor Man. “We jumped on board the tram at Bighouse Arts in Coburg North and had a fun day shooting it. Will and I had to climb on the roof with our guitars for one shot which was a tad sketchy, I think we both lived out our dreams of an 80’s style guitar solo section on a roof!”. Will shares, We wanted our first release to be an introduction to the band. It’s about showcasing our energetic selves tearing it up. We hope that the audience can feel the passion and enjoy watching the video clip as much as we enjoyed filming it.”

For all members of Willie J & The Bad Books, music has been an integral and essential part of life. Springing to life during the pandemic, Will first met future Bad Books drummer Fru Parsons while playing on Brunswick Street. Bassist Matt Forge entered the fray following a conversation with Will over starting a blues and rock band. Matt worked with Rick and resident Bad Books boogie-queen, vocalist and organist Eileen Hodgkins – and the rest, as they say, is history. Bolstered by a shared adoration for classic tunes and the organic creative process between the quintet, the official debut single from Willie J & The Bad Books has been a long time coming; but with plenty of shows on the local live circuit up their sleeves, as well as some live clips already out in the world, Willie J & The Bad Books are firing on all cylinders going into the last months of 2022 and firmly into 2023. “We’re all old souls, we want to make music reminiscent of what we love,” shares Rick of the Willie J & The Bad Books ultimate ethos. “We don’t care what genre is popular, we just want to play music that’s true to us. It feels like it’s been a long time coming and it’s super exciting to finally be releasing this single!”.

And if you’re in the mood for some bewitching grooves and searing rock, Willie J & The Bad Books have a special single launch show lined up for Friday January 6 at Nortchote Social Club, and a show ready to roll on Saturday January 28 at The Blues Train in Queenscliff, Victoria. As to what we can expect from the upcoming shows? A lot of boogying, toe-tapping, hips-swinging, hard hitting tunes,” Will concludes. “We bring the rock, you do the roll.”

Backdoor Man is out today, Wednesday November 16.

WILLIE J & THE BAD BOOKS – UPCOMING TOUR DATES:

FRI 6 JAN | NORTHCOTE SOCIAL CLUB, NORTHCOTE VIC (Single Launch)
Tickets Available From https://tickets.northcotesocialclub.com/outlet/event/ed883fd6-8f40-4778-9235-c3d7a63390bf

SAT 28 JAN | THE BLUES TRAIN, QUEENSCLIFF VIC
Tickets Available From www.thebluestrain.com.au

Listen: BACKDOOR MAN

Watch: BACKDOOR MAN

RÜFÜS DU SOL NOMINATED FOR x7 ARIA AWARDS + GLOBAL ‘SURRENDER’ TOUR SET TO HIT AUS

Armed with a Grammy, seven ARIA nominations, and over 500,000 tickets sold across their North America, UK and Europe Surrender tour, there is no doubt the world has been experiencing the rise and rise of RÜFÜS DU SOL this year.  And Australia is up next, with the band’s Surrender tour set to touch down in Aus later this month, kicking off at Brisbane Showgrounds on November 26, before taking in Sydney’s The Domain on December 2 and 3, Adelaide’s Ellis Park on December 10 and Melbourne’s Flemington Racecourse on December 15 and 16, before finishing up at Perth’s Langley Park on December 17.

Shaping up to be one of the biggest headline tours of the year, the Aussie Surrender tour will see the band take over festival-sized green sites to present their brand new live show and ARIA #1 album, Surrender, offering the only opportunity for fans to witness the phenomenon that is RÜFÜS DU SOL live in Australia in 2022.

 

“It’s been three years since we’ve played in Australia, so it feels perfect for these to be the last shows of our world tour this year. We’re really excited to be coming home and performing this new show to our Australian fans, friends and family at the biggest outdoor venues we’ve ever headlined.” Tyrone Lindqvist

And this tour on home turf will be the perfect way to cap off what has been a truly memorable and mammoth year, having scooped a coveted Grammy for Best Dance Recording, leading the ARIA nominations charge with seven noms for Best Video, Best Pop Release, Album Of The Year, Song Of The Year, Best Dance/Electronic Release, Producer/Best Produced Album and Best Group, and playing sold out shows at some of the most iconic venues around the world, including The Gorge Amphitheatre (Washington), Hollywood Bowl (LA) and multiple shows at Red Rocks (Colorado) and Forest Hills Stadium (NYC).

 

RÜFÜS DU SOL have also today announced their partnership with AIME (Australian Indigenous Mentoring Experience) across the Australian tour through their VIKP ‘Very Important Kind Person’ campaign, giving away 5 double passes to some Very Important Kind People. To find out more and to submit your kindness pledge to go in the running to win, visit https://aimementoring.com/rufusdusol

 

Additionally, fans attending the shows will also have the opportunity to buy a limited edition T-Shirt with all profits going directly towards AIME.

Equipped with a well-refined, immersive live experience, Australia is in for a guaranteed treat when RÜFÜS DU SOL are finally able to bring their Surrender tour down under in 2022, offering fans a unique opportunity to accompany the band into their world. RÜFÜS DU SOL will be supported nationally by England’s Grammy and Mercury Prize nominated, classicly trained electronic artist, Jon Hopkins, and the band’s Rose Avenue label artists Luke Alessi as additional support in Sydney, Melbourne and Perth, and RONA. in Brisbane and Adelaide.

Tickets are on sale now via Moshtix.

Surrender is out now on  Rose Avenue and Reprise / Warner Records STREAM / PURCHASE SURRENDER

 

NATIONAL SURRENDER TOUR

Presented by triple j

SAT 26 NOV | BRISBANE SHOWGROUNDS, BRISBANE, QLD | 18+

FRI 2 DEC | THE DOMAIN, SYDNEY, NSW | 18+

SAT 3 DEC | THE DOMAIN, SYDNEY, NSW | 18+

SAT 10 DEC | ELLIS PARK / TAMPAWARDLI, ADELAIDE, SA | 18+

THU 15 DEC | FLEMINGTON RACECOURSE, MELBOURNE, VIC | 18+

FRI 16 DEC | FLEMINGTON RACECOURSE, MELBOURNE, VIC | 18+

SAT 17 DEC | LANGLEY PARK, PERTH, WA | 18+