BEACHWOOD ANNOUNCE NEW SINGLE MARBLES + BEACH BOYS COVER GOD ONLY KNOWS

The effortlessly cool Beachwood have today announced two singles Marbles and God Only Knows (out today, October 25). Their compelling, hypnotic brand of electro pop shines bright on both tracks; completely mastering an unexpected cover in God Only Knows, and documenting a gradual lapse of sanity in Marbles. Beachwood (otherwise known as Jarrad Rogers and Angeline Armstrong) are the new kids on the block – only these multi medium artists already know exactly who they are, and are already making waves across the globe. After working with massive international artists such as Charli XCX, 5 Seconds of Summer, Lana Del Rey and Lauryn Hill, and much loved Australian artists Montaigne, Daniel Johns and Luke Steele (Empire of the Sun), it’s finally time for Jarrad and Ange of Beachwood to step to the front.

Their new original track Marbles was conceived in Los Angeles and features Texan MC Tray Haggerty, and you can almost hear the buzzing heat in the final release. Surprising beat changes, inventive melodic vocal ideas, almost overwhelming synthesisers and hits are all contained within Marbles. It feels like a true masterclass in marrying the art of songwriting and the art of production and the end result is one very exciting pop song. Speaking on the inspiration behind the single, Jarrad says, “Sometimes, caught up in the moment, we find ourselves saying and acting like someone we don’t even recognise – someone who is not at all the person we want to be deep down – that sort of inner struggle just seems to be a part of human nature. It was cool to work together on a song that found a way to really capture that universal feeling of letting someone you love down, of ‘losing your mind, your grip on things, your marbles.’”

God Only Knows may seem a strange fit as a cover for a modern electronic pop duo – but Beachwood’s version of this classic Beach Boys hit is the track you never knew you needed. Eerie, progressive and warm, the gorgeous nature of this stunning song glows in Beachwood’s thoughtful remake. Angeline’s voice is soft and emotive as impressive production swells and recedes with stunning technical prowess. This cover highlights the melancholy within God Only Knows, as Ange explains, “God Only Knows is such a sweet, romantic sounding song – but when you dig deeper and pay attention to the lyrics, it’s quite bittersweet and dark – there’s a real desperation and longing in it. That same longing and bittersweet feeling exists in both of our new tracks: hidden beneath pulsating pop beats and big progressive sounds, there’s the raw voice of a desperate longing for a relationship that won’t spoil or break. I think that taps into something very personal for all of us, no matter how deeply buried.”

The decision to release the two songs side by side was one that felt natural to Beachwood, as Ange reflects, “It’s always nice to give people more. As artists we’re always so hungry to release our music faster than is sometimes possible – it feels really good to just let go and hand these two over to the world all at once. We wanted to do something a little different – there’s a big focus on releasing one single at a time these days, but we felt that there was a bit of a story here in releasing both together. We love re-imagining songs, especially ones as amazing as God Only Knows.” No matter what the song, the Beachwood sound will always come through.

Beachwood is Jarrad Rogers and Angeline Armstrong.

Marbles and God Only Knows are released today, October 25, both through BMG.

KING COYOTE SHARE NEW SINGLE COCA COLA AHEAD OF NEW EP WILD OUT NOVEMBER 1 + ANNOUNCE SHOWS WITH GRINSPOON AND THIRSTY MERC

Australian rockers King Coyote have today announced their killer new single Coca Cola, an energetic romp inspired by chasing true love, out today. Coca Cola is the first taste of the upcoming King Coyote EP Wild, an absolute masterclass in rock n roll, set for release on November 1. King Coyote will be heading out on tour throughout October and November to celebrate the release, kicking off in Burleigh at Moe’s Desert Clubhouse on Friday October 4, then heading through Kingscliff to support Grinspoon, home to Port Macquarie for a series of shows, wrapping with a summer show on December 28 at Tacking Point Tavern (Port Macquarie) supporting Thirsty Merc.

Coca Cola is for fans of true, classic rock n roll; the kind of song that makes you want to slam your empty glass on the bar and head straight to the dancefloor. Evocative of rock auteurs Queens of the Stone Age, Them Crooked Vultures and Jet, Coca Cola is overflowing with heady guitar riffs and hooky vocals. Speaking on the inspiration behind the track, lead vocalist Sunny Rowlands enthuses, “This song is a bit of old time rock n roll, a throwback with our twist. Coca Cola was inspired by true love, about seeing the red flags and acting on it, before you lose too much time… or whatever the listener thinks it’s about. We like both!”

Wild is a diverse collection of rock music by a group of seasoned musicians who know exactly who they are and what King Coyote represents. From the exhilarating opener Running Wild, to the affecting, emotive closer Diamonds, the EP is true to its namesake in every sense of the word – this music is undeniably Wild. Produced by Michael Lynch (Jimmy Barnes, Midnight Oil, John Butler Trio), Wild meets the thematic golden trio – sex, drugs and rock n roll – head on, as Sunny says, “We’ve taken a bit of time with this EP, enjoying the road, the band bonding, the late nights, the long nights and all the in-between, helping us get the songs to the point that represents us truthfully as a band. It’s taken a couple of years, but it was worth the wait for us – it shows how far we’ve come and how far we can go.”

King Coyote are set to perform tracks from Wild live throughout October and November, with a diverse run of headline shows and support slots alongside rock legends Grinspoon, Thirsty Merc and First Beige. Giving fans a taste of what to expect from the shows, Sunny says, “The shows will be high energy, loud, and in your face – like a shot of coffee with your Red Bull!”

King Coyote is Sunny Rowlands (vocals), Jimmy True Love (guitar, vocals), Stevie G (drums, vocals), Josh Hall (bass) and Mike Montgomery (guitar).

Coca Cola is out today, October 3. Wild is out November 1

KING COYOTE QLD & NSW TOUR

FRI 4 OCT | MOE’S DESERT CLUBHOUSE, BURLEIGH, QLD | 18+ | SUPPORTING FIRST BEIGE
Tickets available here

SAT 5 OCT | KINGSCLIFF BEACH HOTEL, KINGSCLIFF, NSW | 18+ – SUPPORTING GRINSPOON | SOLD OUT

FRI 18 OCT | FINNIANS, PORT MACQUARIE, NSW | 18+ | w SLIPPERY GYPSEES
Tickets available on the door

FRI 1 NOV | ART OF THE EMPIRE (ACOUSTIC), PORT MACQUARIE, NSW | 18+
Tickets available on the door

SAT 28 DEC | TACKING POINT TAVERN, PORT MACQUARIE, NSW | 18+ | SUPPORTING THIRSTY MERC

PARKER ANNOUNCES NEW SINGLE & VIDEO ‘CAN’T KEEP WAITING’ + ARTIST RESIDENCY & EXHIBITION ‘YOU, ME AND THAT OTHER THING’ AT SAWTOOTH ARI

Gifted visual artist, songwriter and musician PARKER has today announced her iridescent new single Can’t Keep Waiting, a once-in-a-lifetime song, one that soundtracks a grand leap into the unknown and away from everything comfortable and safe, set for release today, October 4. PARKER has also announced a cinematic video clip to accompany the track, made in collaboration with director and technology artist Jaymis Loveday (Emma Louise, Ball Park Music) and sculptor Briony Law. PARKER has just completed an artist residency at Sawtooth ARI gallery alongside drawer and sculptor Jo Lane, in order to prepare their upcoming exhibition You, Me and that Other Thing, an exploration into human connection. The official opening of You, Me and that Other Thing will take place today, Friday October 4 from 6PM at Sawtooth ARI in Tasmania (running for one month), and will include a screening of the Can’t Keep Waiting video clip.

Can’t Keep Waiting is transcendental, meditative; at times it feels almost ambient, with heavy, industrial percussion and repetitive synth patterns. But one thing that pulls the track into a truly close, emotive space is PARKER’s soft, intimate yet commanding voice. Evocative of Massive Attack and the lyrical and vocal prowess of Lana Del Rey, Can’t Keep Waiting is epic and overflows with the power of primal human emotion. “Can’t Keep Waiting is about gathering the courage to be honest with myself. It’s about letting go of all that is safe and familiar in life in order to evolve and grow,” explains Parker. “I believe it’s in the moments when we feel completely lost that we find the opportunity to discover something new about ourselves. Nothing is permanent, everything can change. Each moment we have the ability to create ourselves anew.”

Already receiving multiple accolades, including Best Concept at Clipped Music Video Festival in Sydney, Best Music Video at the Los Angeles Film Awards, New York Film Awards and Top Shorts, not to mention selection for screening at the Austria International Film Festival, the clip for Can’t Keep Waiting is a triumph of a true marriage between sound, visual art, and cinema. Made by PARKER, in collaboration with Jaymis Loveday and Briony Law, the clip sees clay mounds, turning gracefully to human forms, dissolving in a deep-seascape with very little light from above. PARKER displays a clear and intricate understanding of her art, as she describes the clip, “The clip concept for this song was born out of a video installation work I made called Dissolving Self. Dissolving Self was a projection installation of a video art work. The video was a of a clay cast of my face dissolving in water set on a loop that made it look like it was falling apart and then rebuilding. I showed the work to my friend Jaymis Loveday and he suggested we make an extension of the work by creating full body casts and miniature models using a larger tank and cinematography techniques in the filming. Brisbane based sculptor Briony Law worked closely with me on the sculpting of the plaster landscapes and made all of the body casts and moulds for us to create the figures.”

You, Me and that Other Thing is the title of the upcoming exhibition that will see PARKER and Jo Lane explore the many facets of human connection. The exhibition will consist of three parts: historic works where inspiration has already manifested, a transition piece, and the work from an experimental performance of unity. PARKER and Jo Lane have spent the last two weeks in residency at Sawtooth ARI, working side by side in a dedicated studio space where the exhibition will take place. Giving her audience a taste of what to expect from the exhibition, PARKER enthuses, “We will create a body of work together around the theme of human connection combining Jo’s skills in drawing and sculpting and mine in sound and video. The Exhibition will combine a collection of our existing works and the new work we make during the residency.”

PARKER is Tash Parker.

Can’t Keep Waiting is set for release today, October 4 and the You, Me and that Other Things exhibition will take place today at Sawtooth ARI at 6pm (October 4)

YOU, ME AND THAT OTHER THING EXHIBITION OPENING

FRI 4 OCT | SAWTOOTH ARI, LAUNCESTON TAS | 18+ | FREE ENTRY