BOY & BEAR UNEARTH SONGS FROM ‘HARLEQUIN DREAM’ ARCHIVES SHARING NEW SINGLE ‘ABRAHAM’ NEW EP ‘LOST DREAMS’ DUE OUT SEPTEMBER 15 + ‘HARLEQUIN DREAM’ 10 YEAR ANNIVERSARY VINYL DUE OUT SEPTEMBER 1

Exactly 10 years on from the release of their chart topping, ARIA-nominated album Harlequin Dream, Sydney’s Boy & Bear return today with a brand new single Abraham alongside the announcement of a new EP Lost Dreams; and the timing is no mere coincidence, with the new material comprised of found songs taken from the Harlequin Dream studio time. A celebration and continuation of the band’s most successful album to date, the Lost Dreams chapter launches today via the sun-soaked Abraham, ahead of the EP’s release on Friday September 15 amid the band embarking on an extensive regional tour throughout September, October and well into November.

 

A jubilant blend of folk, blues and pop, Abraham seamlessly unfurls with undulating vocals, sparkling instrumentation and pulsing yet sparse rhythms, equally floating and foot-stomping in trademark Boy & Bear fashion. Offering a track that is just as at home in 2023 as it was back in the band’s Harlequin Dream era, drawing inspiration from the likes of Fleetwood Mac, Crosby, Stills & Nash, Band of Horses amongst many others, Abraham’s unfettered groove-laden 70s pop charm presents as part time machine and part celebration for Boy & Bear, as lead vocalist and guitarist David Hosking explains, “I think It’s always interesting looking back and listening to old tunes. On one level the band has come such a long way but it’s also exciting to be able to reflect on the way we were approaching songwriting back then. I think we were definitely more traditional in that most songs had these big choruses and sing along moments and Abraham definitely sits in that world. Hopefully people can connect with that old approach”. And Abraham’s footloose whimsy was certainly no accident at the time, as vocalist and instrumentalist Jon Hart reflects, “It’s a bit of a time warp listening back to Abraham, I can remember where I was sitting in the studio when we recorded it and what life felt like back then. We’ve always been classic overthinkers in the studio, but I think that Abraham sounds pretty free and just like we went in and played it without labouring over it too much.”

 

With three new songs retrieved from the Harlequin Dream studio archives lying in wait on their upcoming EP, including the blissful Abraham, the jaunty emotives of Eye Of The Canyon and the neofolk charm of Mexico, the trip down Boy & Bear memory lane was not initially a journey the band had ever planned on taking. With all three tracks written by the band themselves, co-produced by Wayne Conolly, mixed by Phil Ek and mastered by Greg Calbi, the eventual road to Lost Dreams initially started with actual loss, with the EP’s finished singles seemingly lost in the void before the mastered files were saved and pulled from the depths. “We were all definitely aware of the songs’ existence,” says guitarist Killian Gavin, “but just like the growing folder of songs we never finish, I don’t think we ever thought they would see the light of day. We couldn’t find the files for the songs so we ended up speaking to Phil Ek (who mixed the album) to try and track down the mixes, then he put us in touch with the mastering team who were surprisingly able to track down the mastered files from 10 years ago!”.  And, as bass player David Symes reveals, the unearthing of the seemingly lost tracks opened the floodgates to the Boy & Bear experience over a decade ago, “It’s like finding an old t-shirt in the bottom of the draw when you move house. Kind of like: wow, remember that!? It brings back memories and feelings from that time, everything from the light that filtered in through the window while we were recording, to the meals we shared at the end of the day.”

 

An organic expansion on the album that snagged multiple ARIA award nominations, a triple j award nomination and saw Boy & Bear achieve their first ever ARIA #1, as well as spawning the band’s breakout single, triple Platinum Southern Sun which has amassed over 80 million individual streams to date, Lost Dreams not only sonically expands on the Harlequin Dream universe established in 2013; its artwork also comes full circle, with Harlequin Dream’s artist Vaughan Flanagan returning to conjure the aptly dream-like Lost Dreams cover, as Gavin elaborates, “We came up with the elaborate concept and drew a mock up (very poor version compared to the final) – then we got the wonderful Vaughan Flanagan to do the heavy liftingand bring it all to life”. And as to the new cover’s concept, Hosking reveals, “We definitely came up with the concept of the artwork. We wanted it to feel dreamy to tie in with the title. There was an old film I can’t remember the name of, but it had all these cowboys attempting to tie down a T-rex which was pretty cool and that became part of the inspiration. I’ve always had a love too for anthropomorphism and wanted to embrace that to give the artwork this other worldly feeling”.

 

Since forming in 2009, Boy & Bear have consistently presented as a band focused on moving to the beat of their own drum, while also continually and effortlessly enamouring with their dulcet yet refreshing brand of indie rock. A band hellbent on creative curiosity and pushing themselves as musicians and songwriters, Boy & Bear have attained a level of staying power most artists could only dream of; and all without sacrificing their authentic vision and driving love for their craft. Achieving early career support from triple j and triple j Unearthed, Boy & Bear swiftly catapulted into national contenders, releasing their double-platinum debut album Moonfire in 2011, which went on to snag five coveted ARIA award wins. Since then, 2013’s Harlequin Dream and 2015’s Limit Of Love only strengthened Boy & Bear’s expansive presence, with both albums charting at #1, and Harlequin Dream marking the group’s second studio album to go Platinum. From 2019’s Suck on Light to 2023’s self-titled full length, Boy & Bear have continued to grow and strengthen professionally amidst the ever-changing musical climate – and there’s zero sign of slowing down anytime soon in the land of Boy & Bear, including a special 10 year anniversary Harlequin Dream vinyl set for release on Friday September 1 ahead of the Lost Dreams EP release two weeks later.

 

Having performed across the globe throughout their career, including multiple world tours and appearances at the likes of Lollapalooza, Bonnaroo, and Splendour in the Grass, Boy & Bear are equally capable and comfortable onstage to sold out crowds at the Sydney Opera House as they are performing on Conan O’Brien, and fans across Australia will be able to witness the insatiable past, present and future of Boy & Bear live in action later this year, with a huge regional tour that will kick off on September 13 in Castlemaine, Victoria, before closing out on November 26 at Queenscliff Music Festival in Victoria. With five shows already sold out, the upcoming Boy & Bear tour is set to be something truly special for all involved, as Symes shares, “Jumping up on the Band Stand and performing is a place where our songs can take on a new life and journey through the live experience. The journey of a band and a song is endless, and our live show is always evolving”. And there will be plenty of surprises as Boy & Bear continue their incredible journey into 2023 and beyond, as Hosking concludes, “A new refreshed set list of old and new tunes. It’s been fun already on the Australian tour piecing together some old songs we’d never really played alongside new songs off the new record. I like to think our set is like a train setting off. It starts off with a subtle momentum and by the end we are in full flight and feeling unstoppable.”

 

Abraham is out today, Wednesday August 16.

Harlequin Dream 10 year anniversary vinyl is set for release Friday September 1.

Lost Dreams is due out Friday September 15.

 

Soundcloud: ABRAHAM

Stream: ABRAHAM

Watch: ABRAHAM

 

BOY & BEAR – UPCOMING TOUR DATES:

Tickets available from www.boyandbear.com

 

WED 13 SEP | THEATRE ROYAL, CASTLEMAINE VIC | 18+
THU 14 SEP | GPAC, TRARALGON VIC | ALL-AGES
FRI 15 SEP | PIER BANDROOM, FRANKSTON VIC | 18+
SAT 16 SEP| TORQUAY HOTEL, TORQUAY VIC (SOLD OUT)
SUN 17 SEP | TORQUAY HOTEL, TORQUAY VIC | 18+
THU 21 SEP | BEER DELUXE,  ALBURY NSW | 18+
FRI 22 SEP | ANITAS THEATRE, THIRROUL NSW | ALL-AGES
THU 28 SEP | NEWCASTLE CIVIC THEATRE, NEWCASTLE NSW | 18+
FRI 29 SEP | DRIFTERS WHARF, CENTRAL COAST NSW | 18+
SAT 30 SEP | BLUE MOUNTAINS THEATRE + COMMUNITY HUB, BLUE MOUNTAINS NSW (SOLD OUT)
WED 4 OCT | ALBANY ENTERTAINMENT CENTRE, ALBANY WA | ALL-AGES
THU 5 OCT | THE RIVER, MARGARET RIVER WA | 18+
FRI 6 OCT | THE RIVER, MARGARET RIVER WA (SOLD OUT)
SAT 7 OCT | OUT OF THE WOODS FESTIVAL, FREMANTLE WA | 18+
WED 11 OCT | SEABREEZE HOTEL, MACKAY QLD | 18+
THU 12 OCT | MAGNUMS, AIRLIE BEACH QLD | 18+
FRI13 OCT | JCU UNIBAR, TOWNSVILLE QLD | 18+
SAT 14 OCT | TANKS ARTS CENTRE, CAIRNS QLD | 18+
SUN 15 OCT | TANKS ARTS CENTRE, CAIRNS QLD (SOLD OUT)
WED 8 NOV | KINGS BEACH TAVERN, SUNSHINE COAST QLD | 18+
THU 9 NOV | KINGS BEACH TAVERN, SUNSHINE COAST QLD (SOLD OUT)
FRI 10 NOV | BURLEIGH BAZAAR, GOLD COAST QLD | 18+
SAT 11 NOV | EMPIRE THEATRE, TOOWOOMBA QLD | ALL-AGES
SAT 23 NOV | SHOALHAVEN ENTERTAINMENT CENTRE, NOWRA NSW
SUN 26 NOV | QUEENSCLIFF MUSIC FESTIVAL, QUEENSCLIFF VIC | ALL-AGES

QUEENCY SHARES NEW SINGLE PURPLE DIAMONDS DEBUT EP PURPLE DIAMONDS SET FOR RELEASE NOVEMBER 24

Perth-based singer-songwriter Queency, aka Quentin Thony, is back bustling with bold, suave and sinfully smooth retro pop tinged with modernity, with a brand new single Purple Diamonds officially out today. A delectable sneak peek into Queency’s impending new EP of the same name set to drop on Thursday November 24, Purple Diamonds is pure sonic joy that’ll bubble the soul and bewitch the ears with polished and effortless ease.

 

Following on from Queency’s previous 2022 single Forbidden Fruit, Purple Diamonds is an unapologetic ode to 80s pop, with nods to the opulent essence of Prince, alongside hues of Whitney Houston and a sprinkle of Michael Jackson evident throughout the infectious track. Written entirely by Queency and workshopped with producer Mason Velios and Robbie Chambers, Purple Diamonds was initially recorded live with Queency’s band at the time, before a new arrangement was conjured by Ethan French. Resulting in an effervescent retro pop jam that also oozes with modern wiles, Purple Diamonds also ultimately took some personal inspiration from Queency’s own life to achieve the sensual and buoyant end result, as Queency explains, “Purple Diamonds is a metaphor for what you have most precious to give to someone you find irresistibly attractive. You know, when they’re just your type and the chemistry is right, you just wanna give that person purple diamonds all night! This song is about feeling so in tune with your partner that you’re ready to truly express yourself in the intimacy you have built and may even fall if you keep entertaining this situation. It’s about being vulnerable yet insatiable! Look, let’s stop sugar coating: it’s a booty song! And surprise, surprise, I wrote it as I was falling in love with my partner, so he’s definitely inspired it. It’s a shameless synth heavy and vocally stacked retro pop track modernised to 21st Century’s flavours. It’s definitely an ode to 80s pop, but I wanted it to be seasoned to the taste of today! And I like it extra spicy – so we turned the heat all the way up!”.

 

Also teaming up with Tristan Sturmer from Sumo Studios for the overarching Purple Diamonds EP, as well as producers Brian Kruger (AKA Kruger James) and Ethan French, mixing by Brian Kruger and mastering by Adrian Sardi, the ultimate EP broadens the lustier, lush musical flair witnessed on the brand new title track, with the EP expanding out to embrace recurring themes of relationships of all kinds, and navigating each unique and individual connection. From the swooning and smooth as hell crooning of opening track, and previously released single, Forbidden Fruit to bubbling jaunt (I Wished On A Star), hot and spicy soul (Too Late) and heart-rending retro ballads (When Daddy Left), Purple Diamonds is not only as polished and colourfully engaging as its glistening namesake; the EP ultimately also showcases gripping intimacy and optimism, as well as significant catharsis for Queency himself. “The recurring theme throughout the EP is relationships,” reveals Queency of the upcoming EP. “Whether in love, lust, friendship, family, or even solitude, navigating relationships with others and the relationship you have with yourself, is not always straightforward. Writing these songs was my way of reaching catharsis in times of anger, sadness, grief, hope and joy. I’m one of these people who live their emotions intensely and sometimes the only way to process them is to turn these emotions into something productive and tangible. That’s what I’ve done with this EP.”

 

A self-proclaimed “stage whore”, Queency’s live performance alongside his delectable and increasingly signature take on funky, soulful pop and modern R&B has seen the charismatic singer-songwriter draw comparisons to the likes of Ari Lennox, Daniel Caesar, Erykah Badu and Charlie Puth throughout his career. An artist inherently focused on crafting memorable melodies and punchy hooks, Queency’s wit, honeyed multi-octave vocals and dynamic dance moves has also seen him increasingly turn ears and heads, with a nomination in 2021 for a Western Australian Music Award alongside an ever-growing abundance of sonic material. First discovering his musical obsession with gusto at the age of five hearing the Spice Girls on the radio, while also singing along to Stevie Wonder as a child, it would be Prince and Whitney Houston, Queency’s ultimate biggest musical influences, that cemented the Réunion Island born artist’s eventual creative pathway. Already generating buzz with a string of singles, and live performances seared into the minds of fans in Western Australia, the Queency story is truly only just unfolding, with the slick, sleek and sexy debut EP Purple Diamonds ready to dazzle and catapult Queency to even greater heights in late 2022.

 

For now, fans can salivate over the impending EP’s title track, with Purple Diamonds firmly flaunting Queency’s relatability, technicality and showmanship in one extremely sleek package. “Purple Diamonds is my precious baby, so I’m genuinely overjoyed to finally be able to put it out in the world,” Queency concludes of his brand new single finally releasing into the world today. “And I’m excited AF to release the EP soon. This EP is my very first body of work and I’ve poured my soul, sweat and tears in it, so I cannot wait to put it out there!”.

 

Purple Diamonds is out today, Thursday October 27.

The Purple Diamonds EP is out Thursday November 24.

AMY SHEPPARD SHARES NEW SINGLE + VIDEO ‘BLUE GUITAR’ ANNOUNCES DEBUT EP ‘NOTHING BUT WILD’ SET FOR RELEASE SEPTEMBER 16

After years spent as part of one of Australia’s most popular musical exports, Amy Sheppard has gone solo, with new single Blue Guitar offering a second taste of her forthcoming debut EP, Nothing But Wild – set for release on September 16 and available to pre-order on vinyl and CD from https://www.amysheppardofficial.com/. Following on from the arrival of the title track in April, Blue Guitar is an immersive piece of vibrant country pop from the iconic Queensland artist.

 

Inspired to share a modern twist on the classic ‘90s ballads from iconic names like LeAnn Rimes, Faith Hill, and Shania Twain, Blue Guitar is as fierce as it is sparkling, bolstered by impassioned lyricism, a mesmerically powerful performance style, and dreamy instrumentation that transports the listener to the glory days of country music. Working with producers Lindsay Rimes (Kylie Minogue, Luke Bryan, Troye Sivan) and Stuart Stuart (Sheppard, Dean Lewis, The Veronicas), it emerged as the first country song that Amy wrote, who took it to brother George Sheppard for some further musical insights. Before long, it took on a new life as her favourite song from her upcoming EP. As Amy explains, “I really leaned into the beauty of country music storytelling. Country music gives permission for songwriters to weave creative stories and this is where Blue Guitar was born. The storyline follows a woman who returns to visit her small hometown. When she enters a local bar, she is taken aback by a familiar voice. The man singing on the stage is her former lover who never quite made the big time. She notices he is still playing his blue guitar- the same one he used to write love songs to her on. She is filled with the same old feelings she had for him and begins to wonder if the songs he is singing today are still about her.

 

The accompanying video for Blue Guitar sees Amy Sheppard working with Natalie Sim and Alex Flamsteed from Method to my Madness, having previously teamed up with them for the clip to debut single, Nothing But Wild. With a resumé that also boasts clips for the likes of Jaguar Jonze and Sahara Beck, Amy notes that she felt like she was in safe hands as she stripped things back for the ethereal video. “I wanted to go back to basics and capture this video as a vocal performance with the usual other elements stripped back. We filmed it in the iconic Princess Theatre in Brisbane. I was also inspired by the mood and lighting of videos by James Bay and LeAnn Rimes.

 

Having launched her musical career as a member of Sheppard which she founded with her brother George in 2009, Amy Sheppard has enjoyed global chart success on numerous occasions. This year however sees her going solo for the first time, with Nothing But Wild set to arrive on September 16 as her debut EP. Working with a number of impressive songwriters for the EP – including Trannie Anderson (Reba McEntire, Gabby Barrett), George Sheppard, Jason Bovino (Sheppard), The Wolfe Brothers, and Phil Barton (The Buckleys, The McClymonts), to name a few – it’s a powerful release, and one that means a lot to Amy as a person and an artist. As she explains, the EP focuses on, “the spontaneity of love – whether it’s rosy, messy or somewhere in between. Love by its very nature can send you off in many directions. This EP aims to capture that from different points of view.

 

With the imminent release of Nothing But Wild, Amy Sheppard will also be complementing its release with a number of live performances during August, September, and October, including a hometown launch show at Lefty’s Old Time Music Hall on release day – with GA tickets on sale for this show at 12pm AEST on Wednesday August 10. While any live show is an exciting experience for Amy, she notes that the solo nature of these shows will serve as something even more special for dedicated fans. As she explains, “I hope they’ll have a great time! It’s a combination of the EP tracks, some inspired covers and also some of the songs I recently wrote in Nashville. Should be a great show and I can’t wait to perform as a solo artist!

 

Blue Guitar is out today, August 5, while new EP Nothing But Wild will be released September 16 and is available to pre-order on vinyl and CD from https://www.amysheppardofficial.com/ and digital https://amysheppard.lnk.to/NothingButWild-EP

 

Listen: BLUE GUITAR

Watch: BLUE GUITAR

Smartlink: BLUE GUITAR

 

AMY SHEPPARD – BLUE GUITAR – Official single artwork

 

AMY SHEPPARD BLUE GUITAR LAUNCH SHOWS

 

FRI 12 AUG | EKKA, BRISBANE QLD | ALL AGES

Tickets available from www.ekka.com.au

 

SAT 10 SEPT | COUNTRY MUSIC RACEDAY, DOOMBEN RACECOURSE, BRISBANE QLD | 18+

Tickets available from www.brc.com.au

 

FRI 16 SEPT | NOTHING BUT WILD EP LAUNCH, LEFTY’S OLD TIME MUSIC HALL, BRISBANE QLD | 18+

Tickets available from www.amysheppardofficial.com

 

THUR 23 SEPT | CMC ROCKS QLD 2022, IPSWICH QLD | ALL AGES

SOLD OUT

 

SAT 1 OCT | SAVANNAH IN THE ROUND, MAREEBA QLD | ALL AGES

Tickets available from www.savannahintheround.com.au