BLACK SUMMER SHARES NEW SINGLE & VIDEO ‘CERNUNNOS’ NEW ALBUM ‘CHANNEL HORROR’ OUT DECEMBER 12
Dark, lavish and impossibly hypnotic, Australian EDM maverick Black Summer, aka Rhys Toms, unveils an exciting new artistic chapter today via his latest single Cernunnos. A dazzling new track, entirely written, performed and produced by Black Summer, Cernunnos also paves the way for the young artist’s impending new album Channel Horror, with the deliciously macabre-inspired full-length due out on Monday December 12.
Innovative, entrancing and a gnarly take on the hip hop realm, Cernunnos oozes with glossy beats, woozy synths and the sharp vocals of Rhys himself, calling to mind the smooth stylings of JPEGMafia, Denzel Curry, Iglooghost and SpaceGhostPurrp. And while the track confidently flows with effortless ease, Cernunnos ultimately marks a significant turning point in the Black Summer creative journey; and also the first time the world has witnessed Rhys’ vocals in full swing, as Rhys reveals, “I felt like it was time to step to a new level, I always wanted to do vocals but never had the confidence, I’ve been working on my voice for a long time because I always saw myself as an all-around artist and not just a producer. The ideas I had were so specific for this album that I felt the only way I could get the vision I had was to step out of my comfort zone and be the vocalist too. This single represents almost a rebirth of myself as an artist, it’s about dealing with problems in my personal life – like toxic relationships, trust issues, and becoming numb to the way I got treated by people. I took all of that and channelled it into something creative. The song itself is named after an ancient Celtic deity called Cernunnos, a god of fertility, life, and resurrection. To me It represents a neutrality and being in harmony with what’s around you, I felt like it was symbolic of the stage I’m in with my music at the moment with how connected I feel to this new stage of my sound.”
Rhys co-mixed Cernunnos and its parent album with Chris ‘TEK’ O’Ryan in Los Angeles, with TEK also mastering the record. Rhys avidly embraced stepping beyond his comfort zone, with the end result culminating in his upcoming full-length Channel Horror. Wielding eight tracks that channel full-blown 80s VHS horror fused into an electronic coating, including snippets from old school horror films and creepy vibes aplenty, Channel Horror balances fresh sounds with nostalgic samples from the bubbling Don’t Wear Me Down, to the sparse, glitching Taranis, energetic silk pulsations on hatingmissingyou, the humid beats and lustrous soundscapes of Juno and Solace, bouncy twitches on DIVE and the ultimate spooky-yet-glistening textures on closing track creepshow. Equally a forward-thinking collection of songs as much as a celebration of the dedicated scene Black Summer inhabits, Channel Horror ultimately showcases the bold and innovative flavours Rhys has spent years honing. “My main themes for this album are old VHS horror tapes mixed with paganism,” shares Rhys of his upcoming album. “I wanted to bring a really dark and animated atmosphere. I took a lot of inspiration from SpaceGhostPurpp and the aesthetic of the underground scene I’m in.”
Tasting instant success at the age of 11 when he was Unearthed by triple j, Rhys’ breakout 2017 hit Young Like Me debuted on national television for Channel 9’s Children’s Hospital Telethon, with the track going on to rack up over three million streams across multiple platforms. But while Rhys, under the moniker Black Summer, undeniably proved to be one of the country’s most exciting young producers, he actively didn’t rest on his laurels, creating the unidentifiable project Kyotoclan to explore whether his music could stand up anonymously without the surrounding hype; and it did. Alongside developing his new Black Summer chapter, Rhys also recently co-produced Illy’s current single Like You, a track that was added to Spotify’s New Music Friday editorial playlist and instantly scored commercial radio love. And once again flexing his creative dexterity, Rhys also branched beyond his usual stylistic territory, co-producing the track Habibi by Pakistani singer-songwriter Asim Azhar, which snagged eight million views on YouTube within the first month of release, 300K fan videos made on TikTok and trended at #1 on TikTok (Asia).
While Rhys’ creative pursuits from a very young age has spanned eyewatering highs, the road to his current artistic identity was certainly not without its own unique hurdles; but for Rhys, the journey has helped empower and entice even more creative genius out of this electronic wunderkind, with his Black Summer and Kyotoclan endeavours seamlessly colliding on his new album due out in just under a month. “Getting constant hate after the interview I did with triple j Unearthed when I was a kid was tough, I guess it was just because I was so young,” shares Rhys of his journey that has built towards the release of Channel Horror. “No matter what I did, there seemed to be no convincing this swarm of hating trolls. I made videos showing how I produced the tracks and it didn’t help either. So, I got to the point where, just as an experiment, I started a new artist name and didn’t tell anyone about it. It had no bio or backstory attached to it, just a name and my point was to see if my music could stand on its own without any of the ‘youngest producer’ hype, because honestly, after a few years of constant hate I started to even doubt myself. The name I chose was something completely different from my main name: Kyotoclan. Not long after posting music and collaborating with underground artists, it started to get some love on Soundcloud, more so than my Black Summer name. Songs cracking over 30K listens. Not huge, but I was proud that it happened totally organically, with no promotion or money put into anything, just from people getting excited and sharing. Soon, the problem became about whether I reveal who I am as Kyotoclan or merge the two. After a while I decided to reveal who I am to my Kyotoclan fans. Some of these songs on Channel Horror I had released under Kyotoclan and this new direction was where Kyotoclan was heading, so, in a way, Black Summer has now merged with Kyotoclan.”
“Creatively speaking, I really stepped out of my comfort zone and experimented with not just my production but my vocals too,” Rhys concludes. “I’ve previously had features on releases but on this album all the vocals are mine. This is the start of a new era for me and a new chapter of my life.”
Cernunnos is released today.
Channel Horror is due out Monday December 12.
JORDAN WILSON SHARES NEW SINGLE + VIDEO ‘TERMINALS’
The sonic equivalent of entering a dream world, the new single Terminals, the latest outing from Sydney singer-songwriter Jordan Wilson, murmurs and charms with otherworldly delights. Inspired by a cultural reset, Leonard Cohen and some well-timed real life absurdity, Terminals is also today accompanied by the release of a captivating and potent music video. And Jordan Wilson fans can also catch him performing the new single and many other musical delights alongside Motion Sickness at The Chippo Hotel in Sydney on Thursday 24 November and The Old Bar in Melbourne on Wednesday 7 December.
A fluid, intimate and atmospheric dive into Jordan’s heady musical world, Terminals marks the second single from Jordan’s solo endeavours, following on from the melancholic and delectably gripping 2021 track Totem. Boasting glimmering soundscapes, lush melodics and languid intensity, Terminals charms in its abstract yet approachable creative universe, as if Thom Yorke, Nick Cave and Agnes Obel were billowing through a dream accompanied by Jordan’s ever-emboldened stylings. Also inspired by Jordan’s own personal juxtaposition experienced after returning from living in Europe and being on a jobsite back home, Terminals grew from a moment of absurdity into something with much deeper meaning, as Jordan explains, “Terminals was written after I had just gotten back from a stint living in Europe. I was a bit down and lost so my father corralled me in to coming to work for him. My body was in shock from going from sipping lattes on the Parisian streets to digging holes in the Australian suburbs. I overheard one of the other workers at lunch after going to the toilet: “You know mate, no matter how hard I shake it, there’s always two drops left”. I was eating lunch by myself, but it made me laugh out loud on the spot. Something about the absurdity of it all brought me back to earth and I was able to start writing again. That line means something else to me now, but it helps me to appreciate the many situations that life can throw you in.”
Working with Daniel Lee Kendall on Terminals, with Daniel co-producing and mixing, the sublime new track was mixed by William Bowden, while its equally mesmerising accompanying music video was brought to life by frequent Jordan collaborator Odin Umeofia as well as Jordan’s brother and fellow artist Lavrence. Featuring Jordan and his partner Maia Marsh, the clip ultimately embodies the notions of transformation and uncertainties, frequently flipping the watcher in and beyond the physical lighthouse, with the fanciful lyrical and ambient music coating proceedings. Devised by Jordan himself alongside his team, the end result draws you deeper into the Terminals narrative while, overall, blending hope with the unknown. “I came up with the concept of this clip alongside my collaborator Odin Umeofia and my brother Lavrence always helps as well,” shares Jordan of the Terminals music video. “My partner Maia Marsh who plays under her own name and a band called Motion Sickness features in it with me. It’s set at/in a lighthouse which represents the Terminal or house of transformation. It’s a powerful image as it sits on the coast as an isolated figure and calls out to the great unknown, guiding ghostly ships to shore. The clip cuts from ‘inside’ the lighthouse to out. I wanted the inner world to be freaky and spoofy to represent the underworld of the psyche and have that release of the outside shots culminating in the final lines of the song, ‘We know the way out’.”
An artist, songwriter and performer already firmly established for his work with indie duo Georgia Fair, Jordan has been steadily evolving his own solo creative works, with a debut solo album building on the horizon following the release of his debut solo single Totem and its follow up Terminals. Signing a major label deal at the age of 21, Jordan has previously landed two albums in the Top 100 ARIA charts, lived and recorded in Australia, Europe and America, and has previously toured and performed alongside the likes of John Mayer, Paul Kelly and Kate Miller-Heidke. Also recently publishing his first ever book last year, a collection of short stories and poems Some Short, Some Long, Jordan is set to weave more musical and creative magic beyond 2022; but there’s still plenty of magic left as the year draws to a close, including some live shows on the cards set to showcase even more Jordan’s solo work up close and personal, as Jordan concludes, “I think I’ll be going out as a duo for this run of shows. I’m still writing the album and trying songs out on the audience, so it’s nice to show them bare bones to really get down to the core of the message and see what comes across and what doesn’t.”
Terminals is out today, Friday November 18.
JORDAN WILSON – UPCOMING TOUR DATES:
THURS 24 NOV | THE CHIPPO HOTEL, CHIPPENDALE NSW
Supporting Motion Sickness
WED 7 DEC | THE OLD BAR, FITZROY VIC
Supporting Motion Sickness
WILLIE J & THE BAD BOOKS SHARE NEW SINGLE + VIDEO BACKDOOR MAN
Come and surrender your soul to the blues and grooving magic of the debut single from Willie J & The Bad Books, with Backdoor Man officially out in the world today. An energetic and passionate tune revelling in blues rock with an Australian flavour, Backdoor Man is accompanied by a black-and-white clip shot in a tram and showcasing the entire band doing what they do best. With the band set to imminently head into the studio to record their debut album, Backdoor Man is a sweltering introduction to the Melbourne amalgamation of Motorhead, Jimi Hendrix and Robert Johnson if they hung out in an Aussie pub. Having recently busted out onstage alongside Dallas Frasca in Fitzroy, the band also have a series of shows lined up in December and January, including an official single launch for Backdoor Man locked and loaded for Friday January 6 at the Northcote Social Club.
An energy-fuelled tune paying loving homage to the blues, Backdoor Man flexes its blues and psychedelic grooves alongside raw riffs and nods to the likes of Janis Joplin, Led Zeppelin, Marcus King, Bonnie Raitt and Stevie Ray Vaughan. Recorded and produced at guitarist Rick Steward’s home studio, Backdoor Man also lends its authentic charm to the track ultimately being captured in one take, as Rick himself explains, “I didn’t want it to sound too polished, so I set limitation to the amount of microphones used on the drums, I used old mics on vocals, old instruments and old amps, it was hit in one take with minimal overdubbing. I think it’s important to set limits, most of The Beatles records were done with a 4 track, people forget that. I had my old friend and amazing engineer George Carpenter mix it in Queensland and Joe Carra at Crystal Mastering did the master”. And while the energetic new single showcases the band’s modern take on the blues world, Backdoor Man also directly claims its namesake from an old blues term, as lead vocalist and guitarist Willie J Maxwell reveals, “Back Door Man is an old blues term, true to form, when your lover betrays your trust and sneaks in the milkman when you’re spending the day at work.”
The music video for Backdoor Man brings the boogie-inducing musical stylings of Willie J & The Bad Books perfectly to life, with the energetic clip providing a visual introduction for many to the band via their debut outing, while also capturing the high octane performance on offer from the quintet in a live setting. “Dorothy Yow & Jake Halfhyde came up with concept,” shares Rick of the accompanying music video for Backdoor Man. “We jumped on board the tram at Bighouse Arts in Coburg North and had a fun day shooting it. Will and I had to climb on the roof with our guitars for one shot which was a tad sketchy, I think we both lived out our dreams of an 80’s style guitar solo section on a roof!”. Will shares, “We wanted our first release to be an introduction to the band. It’s about showcasing our energetic selves tearing it up. We hope that the audience can feel the passion and enjoy watching the video clip as much as we enjoyed filming it.”
For all members of Willie J & The Bad Books, music has been an integral and essential part of life. Springing to life during the pandemic, Will first met future Bad Books drummer Fru Parsons while playing on Brunswick Street. Bassist Matt Forge entered the fray following a conversation with Will over starting a blues and rock band. Matt worked with Rick and resident Bad Books boogie-queen, vocalist and organist Eileen Hodgkins – and the rest, as they say, is history. Bolstered by a shared adoration for classic tunes and the organic creative process between the quintet, the official debut single from Willie J & The Bad Books has been a long time coming; but with plenty of shows on the local live circuit up their sleeves, as well as some live clips already out in the world, Willie J & The Bad Books are firing on all cylinders going into the last months of 2022 and firmly into 2023. “We’re all old souls, we want to make music reminiscent of what we love,” shares Rick of the Willie J & The Bad Books ultimate ethos. “We don’t care what genre is popular, we just want to play music that’s true to us. It feels like it’s been a long time coming and it’s super exciting to finally be releasing this single!”.
And if you’re in the mood for some bewitching grooves and searing rock, Willie J & The Bad Books have a special single launch show lined up for Friday January 6 at Nortchote Social Club, and a show ready to roll on Saturday January 28 at The Blues Train in Queenscliff, Victoria. As to what we can expect from the upcoming shows? “A lot of boogying, toe-tapping, hips-swinging, hard hitting tunes,” Will concludes. “We bring the rock, you do the roll.”
Backdoor Man is out today, Wednesday November 16.
WILLIE J & THE BAD BOOKS – UPCOMING TOUR DATES:
FRI 6 JAN | NORTHCOTE SOCIAL CLUB, NORTHCOTE VIC (Single Launch)
Tickets Available From https://tickets.northcotesocialclub.com/outlet/event/ed883fd6-8f40-4778-9235-c3d7a63390bf
SAT 28 JAN | THE BLUES TRAIN, QUEENSCLIFF VIC
Tickets Available From www.thebluestrain.com.au