LONTALIUS SHARES NEW SINGLE ‘SWIM’ AHEAD OF NEW ALBUM ‘ALL I HAVE’ – SET FOR RELEASE OCTOBER 4 + NATIONAL TOUR SUPPORTING JAPANESE WALLPAPER IN OCTOBER & NOVEMBER
Enigmatic NZ electronic artist Lontalius, also known as Eddie Johnston, has today announced his glowing new single Swim, a comforting, honest track about accepting the ups and downs of life, out now. Swim is also accompanied by a stunning clip, made in collaboration with Phoebe Gittins and Arty Papageorgiou (Pacific Heights, Whim, Weird Together). The prolific young artist has also announced his new album, All I Have, set for release on October 4. Lontalius will be joining Japanese Wallpaper on the road for his first ever Australian shows in October and November this year, kicking off at Melbourne’s Corner Hotel on October 25, then moving through Perth, Adelaide, Sydney and wrapping up in Brisbane at The Brightside on November 9.
Swim is an endearing track, seemingly buoyed by pessimism and optimism at the same time. Reminiscent of indie pop giants The 1975 and Troye Sivan, Swim is driven by a pounding beat and intricate guitar lines (not to mention a killer solo towards the end) while Lontalius’ idiosyncratic vocal floats above it all. Speaking on the inspiration behind the track, Lontalius says, “Swim is about the acceptance that with all the heartbreak, anxiety and stress of being young, the universe is still leading you on the right path. You can have everything seemingly perfectly lined up in front of you, but sometimes it just won’t work out… it’s a song that i’m really proud of. It hit a lot of marks I had been trying to hit for the past few years. It’s energetic and it has a pace to it that I haven’t done before, all the while still living in the ‘lontalius’ world, I think.”
The clip for Swim zooms in on the self-reflection in the song in a figurative and literal sense. Lontalius sings alone, in the gorgeous Wellington wilderness, looking deep into a mirror suspended in mid-air. The clip is beautiful, dreamy; an appropriate visual representation of Swim, as Lontalius explains, “The video follows me singing the song into a mirror, walking along various locations in my home Wellington, NZ. With the song mostly being a dialogue with my own brain – a moment of self reflection, it made sense for me to sing it back to myself. This clip was a culmination of a few ideas we’d had in our minds for a while. The picturesque NZ landscape never fails to contrast the emotion in my music…I made it with Phoebe Gittins and Arty Papageorgiou. They’ve done all of my videos as well as a number of other NZ artists. We tend to have similar ideas around what will work, I’m not sure if I could work with anyone else.”
If Lontalius’ debut LP I’ll Forget 17 was a snapshot of his life as a teenager, All I Have documents the period in life when he was exiting adolescence and entering adulthood. Outgrowing one era but not yet ready, perhaps, for another. With a characteristic melancholic, yet beautiful temperment, paired with wistful synthesisers and soft, gentle guitar, All I Have is a superb collection of songs from this impressive artist. Working in LA alongside Grammy award winning producer Om’Mas Keith (Frank Ocean, John Legend, Jay Z), Jim Fairchild (Grandaddy, Modest Mouse), Roy Blair (Kevin Abstract) and Mr Hudson (Kanye West), Lontalius dove deep into a varied array of infuences for this second album, drawing inspiration from the artists he grew up listening to, such as U2 (circa Joshua Tree), REM, and Coldplay, alongside modern pop auters Kacey Musgraves and Lorde. Reflecting on the album, Lontalius enthuses, “The main themes on All I Have are love, youth and anxiety. I started writing it at 18 so it basically follows my own experiences with love, being away from home, new pressures and pleasures, as well as that general feeling of ‘coming of age’. Just trying to make sense of it all… It was my intention to add a little more energy and life into my music than I had done before. I had built up energy and I wanted to let it out! It was also important to me that it didn’t end up being a bloated, 20 song thing. I wanted to be able to grab it all with one hand.”
Lontalius will be playing his first Australian shows ever in October and November this year supporting Japanese Wallpaper on his Glow national tour. Thrilled to be hitting the road for what is set to be a beautiful, immersive experience for audiences, Lontalius says, “I’m really happy I’m finally making it to Australia! I’m doing solo sets, playing new and older music from even my soundcloud days. Trying to create a sound that people can get lost in for 30 minutes or so.”
Swim is out now. All I Have is set for release on October 4.
LONTALIUS NATIONAL TOUR (SUPPORTING JAPANESE WALLPAPER)
FRI OCT 25 | CORNER HOTEL, MELBOURNE VIC| 18+
SAT OCT 26 | SEWING ROOM, PERTH WA | 18+
FRI NOV 1 | LION ARTS FACTORY, ADELAIDE SA | 18+
FRI NOV 8 | OXFORD ART FACTORY, SYDNEY NSW| 18+
SAT NOV 9 | THE BRIGHTSIDE, BRISBANE QLD | 18+
MONTAIGNE’S NEW ALBUM COMPLEX OUT NOW & NATIONAL TOUR IN NOVEMBER
Praise for COMPLEX
“Proof that pop doesn’t need to be dumbed down” – Herald Sun ⭐ ⭐ ⭐ ⭐
“Complex is a delightful exploration of a young woman’s examined life, warts and all” – The Australian
“Blending theatrics with emotion perfectly, Montaigne’s melodic pop tones create a gut-wrenching contrast between wanting to dance and wanting to cry. It’s an ode to Montaigne’s maturity to be able to write without metaphor around things so oftern trivialised and turn it into a gorgeous journey of self-discovery, determination and growth” – The Music ⭐ ⭐ ⭐ ⭐ 1/2
Art pop auteur Montaigne has today released her spectacular second album Complex, which features triple j faves For Your Love and Ready, alongside her latest single, the title track of the record. To celebrate the album, Montaigne will be taking part in instore stripped back performances and signings at Oh Jean Records in Melbourne on Saturday August 31 at 12pm and HUM Music in Sydney on Monday September 2 at 5.30pm. She will then be hitting the road for her Complex album tour (presented by triple j) in November, kicking off in Adelaide on November 7, then moving through Perth, Fremantle, Maroochydore, Brisbane, Byron Bay, Bendigo, Torquay, Melbourne, Canberra, Sydney, and finishing up in Wollongong on November 30. Montaigne has partnered with PLUS1 so that $1 from every ticket goes to support Bush Heritage Australia a national non-profit organisation conserving biodiversity in Australia. www.bushheritage.org.au
The latest single Complex is an intriguing snapshot of the aftermath of – and hindsight that accompanies – a relationship with someone who has a Messiah complex. This is Montaigne at her absolute best – self-aware, wise, and delightfully verbose, playing with the meaning of complex and threading intricate and playful vocal melodies atop a bed of kitschy piano and determined drums. It’s the perfect title track for this eclectic album. On the new album, themes range from loneliness, isolation, distorted love narratives, confused sense of self, the desire to escape, self-image issues and self-realisation. All these concepts interact and percolate amongst themselves on Complex, and Montaigne does a spectacular job of expressing herself with eloquence, passion and powerful vocal authority.
Speaking on how she hopes the album is received by her audience, Montaigne explains, “Having to figure this album and my life out in simultaneity was the best possible collision of events I could have endured. There’s no way to quantify it, but I think going through the whole thing rescued me from a bunch of possible futures which would have been unpleasant and dark. It’s just this sense I have. I hope that listening to this album bequeaths the sense of anticipation and tension and tortuous disappointment that precedes your life and mind and body being totally reshaped and redefined, hopefully for the better.”
Montaigne worked with a wide range of producers on Complex, including long-time collaborator Tony Buchen (Courtney Barnett, The Preatures), Wynne Bennett (Twin Shadow, Janelle Monae), Kyle Shearer (Dua Lipa, Broods, K. Flay), Mozella (Madonna, Miley Cyrus, One Direction), Dave Sitek (TV On The Radio, Yeah Yeah Yeahs, Foals), Mario Späte (Tkay Maidza, Urthboy, Allday) and Eric J Dubowsky (Flume, St. Vincent, Dua Lipa).
Montaigne will be playing shows around the country in November to celebrate the release of Complex. Her unique, theatrical and emotional performance style never fails to impress. Tickets available from www.montaigne.oztix.com.au
Complex is available now.
SAT AUG 31 @ 12PM | OH JEAN RECORDS | INSTORE SIGNING AND PERFORMANCE | 276 NICHOLSON STREET, FITZROY
MON SEP 2 @ 5.30PM | HUM MUSIC | INSTORE SIGNING AND PERFORMANCE | 271 KING STREET, NEWTOWN
Complex album artwork
MONTAIGNE ‘COMPLEX’ NATIONAL ALBUM TOUR
Presented by triple j
Tickets from www.montaigne.oztix.com.au
THU 07 NOV – THE GOV, ADELAIDE
FRI 08 NOV – BADLANDS, PERTH
SAT 09 NOV – MOJO’S, FREMANTLE
THU 14 NOV – SOLBAR, MAROOCHYDORE
FRI 15 NOV – THE ZOO, BRISBANE
SAT 16 NOV – THE NORTHERN, BYRON BAY
THU 21 NOV – TAP HOUSE, BENDIGO
FRI 22 NOV – TORQUAY HOTEL, TORQUAY
SAT 23 NOV – THE CROXTON, MELBOURNE
THU 28 NOV – UC HUB, CANBERRA
FRI 29 NOV – THE METRO, SYDNEY
SAT 30 NOV – UOW UNIBAR, WOLLONGONG
SANNIA ANNOUNCES DOUBLE SINGLE + VIDEO RELEASE DAYLIGHT + BETTER + DOUBLE SINGLE LAUNCH SHOWS IN SEPTEMBER
Radiant vocalist and songwriter Sannia has today announced not one, but two magnificent new singles; Daylight and Better, out August 16. The two tracks are reflective of the growth of Sannia’s trademark intricate, emotive songwriting, and her voice soars with undeniable strength on both songs as the narrative melts from one track to the next. And the indie pop powerhouse has also released two stunning videos for the singles, directed by award-winning writer and director Emily Dynes (Teagan, Oh Pep!, The Gaze). To celebrate the double release, Sannia will be playing two exclusive shows in September at Melbourne’s Workers Club (September 12) and Sydney’s Golden Age Cinema (September 14).
Daylight opens the window into Sannia’s heart and mind, with pulsing, nostalgic synths, and poignant, relatable lyrics woven amongst a gentle solo guitar. The story is familiar – unrequited love, not for a stranger but for a close friend, as Sannia explains, “I wrote this song on a train home after a big night out with friends, I sort of had this weird semi- inebriated epiphany that I was head over heels for someone close to me, and in that same moment I realised he absolutely didn’t feel the same at all. Like two ships passing in the night, or maybe a ship and a rowboat in my case.” The clip is striking even from the opening shot – a damaged car in a vast, open pasture, a fire smoking out, and Sannia, a little bruised, lying in the front seat in a flowing red dress. She rises, and moves instinctively with the song, as she describes, “I feel like I was most vulnerable in this clip – I was absolutely terrified at first to include choreography in a one-take shot with a very small time frame to get it done was nerve wrecking but I think it’s the clip I’m most proud of.”
Better picks up where Daylight leaves off; the dust has settled on the relationship, and Sannia begins to believe in getting better, if only for herself. Another distinctive, swooping synth and an industrial-style drum loop moves this track into a modern, electronic space, while Sannia’s gorgeous vocals, evocative of both Meg Mac and Vera Blue, make this song distinctly hers. The clip features two lovers, dancing in a sunlit, empty house, then in a field at dusk…and then, they are apart, as Sannia says, “If there was anything in the world I wish I could do it would be dance, and the first thing I thought of when I imagined a video for this song was two dancers really representing the constantly shifting sands of a turbulent relationship. Emily managed to get in touch with choreographer Sian Kelly and two incredible dancers (Melissa Yvonne Pham and Ned Zaina) and suddenly this idea I had in my head that I absolutely couldn’t describe with words or my own lack of coordination actually came to life; I was completely blown away by Mel and the emotion she brought to the shoot.”
Explaining the decision to release both songs at the same time, Sannia says, “I decided to release these two together because I feel like they’re one and the same, not just in terms of their production or both videos being centred around dance and movement, but the two songs were really two different responses to the same situation. Daylight was the initial, really vulnerable call out and Better was the more defiant and explosive response.”
After an intense year of touring, Sannia is thrilled to be playing two exclusive live shows to celebrate the release of Daylight and Better. Giving fans a taste of what to expect from the shows, Sannia says, “I feel like we’ve grown so much from all the time not just performing but creating together and that definitely shows onstage. I think I’m the most honest version of myself and my emotions onstage, the music I write comes from a deeply personal place so I’m essentially revealing myself and embodying my work every time I perform and I can’t wait to share these new stories with a new audience.”
Daylight and Better will be available on August 16.
SANNIA BETTER AND DAYLIGHT DOUBLE SINGLE RELEASE LAUNCH SHOWS
THU 12 SEP | WORKERS CLUB, FIZTROY VIC | 18+
Tickets available from www.oztix.com.au | 1300 762 545
SAT 14 SEP | GOLDEN AGE CINEMA, NEWTOWN NSW | All Ages
Free Entry | Details available via https://www.ourgoldenage.com.au/live-music