RICH WEBB SHARES NEW SINGLE ‘I DON’T MIND AT ALL’
Just a few months on from his most recent release, critically-acclaimed Melbourne alt-country singer/songwriter Rich Webb has returned with another stellar single, sharing the summery I Don’t Mind At All. The latest taste from his forthcoming album, RIGHT!, I Don’t Mind At All shimmers with the visceral, welcoming warmth of the summer months, evoking imagery of hazy, sun-kissed days spent with a sense of clear-eyed freedom and warmth.
Powered along by lyrics that reside within the inner recesses of our memories, and instrumentation as dreamy and carefree as the subject matter itself, I Don’t Mind At All focuses on the little things that make up our mighty memories. Working with his talented band (including Matt Dixon, and Oh Mercy’s Rohan Sforcina, to name a few), and with Sforcina and Wakeman joining Rich on production duties, the resulting track transports the listener back to “a certain place and a certain time”. Inspired by the likes of Khruangbin, Dirty Projectors, Rickie Lee Jones, and Jack Johnson, Richchannels the effortless abilities of these artists to succinctly capture emotion and feeling through song, taking the listener back to the seemingly inconsequential moments which resonate forever. As Rich explains, “It tries to capture that feeling of the sun and the freedom that can come in summer and with summer holidays. About those times where you leave everything behind and live in the moment – these moments can feel like they last forever. It’s about that feeling of freedom, connection, and fun you get on holidays with people you love.”
As heartfelt as it is emotive, I Don’t Mind At All is bathed in the youthful sheen of early nostalgia, where those formative memories are first planted, and remain to this very day. As its subtitle – Bring On Summer – indicates, the majority of its focus is on the summer months, which traditionally hold a sense of comfort and youthful peace. As Rich recalls, the idyllic nature of these summer months have followed him around the world and throughout his life, informing his outlook all the while, “When I was a kid, that used to be three weeks or so in an orange family tent with my Mum and Dad and two brothers, often beside a beach in Wales. Here, it’s been heading out in an old column shift Ford Falcon down the Great Ocean Road for a few weeks when my brother and best mate came over, or the other way with my family to Marlo or Mallacoota. Just lovely dreamy times where you forget about work and the things that bug you or get in the way, and spend time together, just living for the moment and having fun.”
A staple of the Australian music scene for more than two-and-a-half decades, Rich Webb has curated a career as a truly mesmerising artist whose reputation precedes him. With numerous albums to his name, Rich’s inimitable command of music and lyrics has seen him attract global attention throughout his storied career, with 2019 even bringing with awards for Alt-Country Album Of The Year and Alt-Country Single Of The Year at the Independent Music Awards in New York. Now, four years on from the release of his last album, Le Rayon Vert, Rich is set to unveil his next record, RIGHT!, later in the year. Preceded by February’s Love Someone, 2022 is unfolding as a banner year in the career of one of the country’s most revered artists.
I Don’t Mind At All is out today, July 22.
st.james SHARES NEW SINGLE ‘AQUARIUS’
A sultry, dark and immersive adventure lies in wait on Aquarius, aka the brand new single from luminous alt-pop artist st.james. Officially billowing out into the world today, Aquarius marks a stylistic shift for st.james from her earlier work; but it’s ultimately a stunning and welcome deviation, bustling with futuristic hues as well as a smattering of st.james’ more vintage trademark flair.
Aquarius crawls and undulates with glossy production and immersive layers, with st.james effortlessly sweeping and skipping vocally amongst hip hop, electronic and alt-pop undertones. Polished, poised and oozing with charisma, st.james emerges with the ultimate sonic glow-up via her new track, nodding to both the past and present simultaneously, as she explains, “I listened to a lot of The Beatles when I was writing this, Sgt. Pepper’s Lonely Hearts Club Band! I think I also subconsciously got the intensity of the vocals from listening to Halsey’s If I Can’t Have Love, I Want Power album as well. But I wanted it to feel futuristic, with a little hint of some vintage energy”.
Working alongside Luke Palmer as the primary producer, st.james also brought in Matt Bartlem as co-producer for Aquarius, with Luke and st.james initially throwing ideas around from an early demo before passing over to Matt to finesse and edit, leading to the eventual bewitching end result. Bouyed by a shared creative vision alongside her collaborators, st.james also fluidly explores intimate and universal themes throughout the visceral single, with a transcendental narrative take on the world and self realisation, as st.james elaborates, “Aquarius is about shining the light on what was once hidden in shadows. It’s personal and also written from a collective point of view. The awakening of our minds and deciding to forge our own beliefs from information presented to us, rather than consuming mindlessly and regurgitating old, tired belief systems”.
A diehard lover of all things music, st.james grew up surrounded by pop music videos and listening to the likes of David Bowie and Bob Dylan with her father along the way. Currently based on the Gold Coast after previously working and living in Melbourne for six years, and a stint in Byron Bay in 2021 filming the Netflix series Byron Baes, st.james has repeatedly enamoured in 2022 with her optimistic, heartfelt tunes via tracks like Liars and Restless Life. And presenting a fun, mysterious, layered and darkly seductive outing fit for a futuristic kingdom on her new single Aquarius, st.james also continues to look to her own past to both bolster her creative process and connect with fans, as she concludes, “My love for great, intentional lyric writing, and catchy pop hooks and melodies are my biggest sources of motivation when it comes to the music I create. It’s universally the number one way humans connect and it has the ability to change and shape your emotions and how you see the world. I find that so fascinating. I have always sung and played music but it took quite a long time to find my feet with songwriting. I had so many thoughts and feelings and no idea how to express them. Figuring out not only what I thought people would want to hear, but also what I wanted to share, was the most challenging part. I now try to write honestly, and without a censor or veil. And if it resonates with an audience then I am so happy.”
Aquarius is out now
GEORGIA FIELDS SHARES NEW SINGLE + VIDEO ‘HOLDING MY HANDS OUT’
Ever-engaging and perpetually cutting-edge, indie shapeshifter Georgia Fields once again wows with elegant ease on her bold new track Holding My Hands Out, officially released today.
A magnetic showing of fearless art-pop and searing vulnerability, Holding My Hands Out marks another sublime insight into Georgia’s upcoming third full-length album Hiraeth. The new track is accompanied by a bewitching, kaleidoscopic music video – in which we see Georgia ominously expel moths from her mouth – firmly reflecting thematic notions of rebirth, and the dark depths of the subconscious.
Georgia will be celebrating the single’s release with an all ages matinee show at Wesley Anne on Sunday July 10.
Holding My Hands Out dazzles in textural dexterity, powerful melodics, and the compelling vocal stylings of Georgia herself – as she strides freely from breathy serenity to dauntless power. Brought to life by producer, engineer & drummer Josh Barber (Gretta Ray, Emma Anglesey, Gotye), the recording process saw Georgia and Josh experiment with found objects, crafting the track’s distinctive snare sample by layering half-broken children’s toys and vintage wood percussion. Terracotta pots were played melodically with felted sticks. Finally, with the addition of Georgia’s string quartet Andromeda, it’s little wonder the end result is otherworldly, immersive and lush; a perfect adjunct to the single’s inspiration and narrative content, as Georgia elaborates:
“It’s a song about that primal desire we all have to be held. It’s about reaching your hands out for comfort, but grasping at shadows. From a songwriting perspective, I was inspired by the simple yet anthemic choruses of artists like Sarah Blasko, Weyes Blood and Sharon van Etten. I was also hugely impacted by the novel Islands, by Australian author Peggy Frew. There’s something about Peggy’s writing that cuts straight to my heart – I’ve found all her novels deeply affecting. Holding My Hands Out is partly written from the perspective of her character June, as well as June’s mother, Helen.”
The video for Holding My Hands Out features the eleventh collaboration between Georgia and independent director and cinematographer Rohan Spong. Georgia emphatically stands front-and-centre, embodying the poignant lyrics and oscillating emotives, styled in striking, statement sleeves by iconic Australian label Sass & Bide and a custom piece from Anna Cordell Clothing. As to the video concept and final mesmerising end result, Georgia shares:
“Something very special happens when I hand a song over to Rohan. His visual interpretation of my music always reveals a deeper understanding of my own songs back to me. I rarely present a video concept; I’m always keen to hear what the song sparks in his mind’s eye.”
“For Holding My Hands Out, we wanted to play with light, colour and shadow, referencing the lyrics ‘you move like a shadow’. Rohan had this idea that I could cough up moths, and they would swarm above me like a cloud of unspoken menace. I loved this because moths represent transformation and rebirth, but also disguise, our hidden nature, and the night – the realm of the subconscious. To create that feeling of non-space, or the internal landscape (similar to The Void in Stranger Things), we filmed in both the cyclorama and black room at DCF Studios in Thornbury.”
Since emerging onto the Melbourne music scene in 2010 with her critically-acclaimed self-titled debut album, Georgia has continued to sonically surprise her audience. Her solo show sees the genre-defying trailblazer swap between electric guitar, vintage keyboards, and textural live looping. Georgia is also regularly joined by her 4- piece band of multi-instrumentalists, and frequently collaborates with the Andromeda String Quartet in an ethereal, art music / chamber folk crossover. In 2020, she launched Mother Lode: an online community for self-employed musicians who are mothers.
Now, Georgia sets her sights firmly on the release of her third studio album Hiraeth; a follow-up from 2016’s Astral Debris, which garnered airplay on Douple J, ABC Radio National and community radio nationwide. Inspired by the Welsh word with no direct English translation, Georgia’s new body of work explores “a profound longing for a home you can’t return to…the nostalgia/grief for the lost places of your past”. Holding My Hands Out is a salient snippet of what’s to come on Hiraeth, while ultimately offering Georgia the chance to turn her creative verve outward once more, as she concludes:
“The process of songwriting and recording is quite an internal one for me – so I’m really looking forward to shifting my focus; sharing this song with the world, and seeing how it connects with people. It’s a vulnerable feeling, but also quite joyful.”
Holding My Hands Out is out Friday 17 June. Hiraeth is due in November 2022.
This project is supported by the Victorian Government through Creative Victoria, as well as the Australian Government through the Australia Council, its arts funding and advisory body.
HOLDING MY HANDS OUT SINGLE LAUNCH
SUN 10 JUL | WESLEY ANNE, NORTHCOTE | 3PM MATINEE | AA