RADICAL SON SHARES MAGNETIC NEW SINGLE ‘UNTIL YOU CALL MY NAME’
A magnetic meeting point of shimmering soul and beauty, the new single Until You Call My Name out now from Radical Son is a striking ode to gratitude and the power of love. A goosebump-inducing moment in time from the revered Kamilaroi artist with Tongan heritage, Radical Son will bring his new track as well as his forthcoming album Biliyambil (The Learning) to vivid life at the Sydney Opera House supporting Emma Donovan on October 20, as well as 2024’s National Folk Festival.
Produced by Andrew Robinson, Until You Call My Name is a proud, calm, yet stirring outing from Radical Son, aka David Leha, inspired by its producer Robinson as well as Marcus Longfoot and Darkinjung local Phil Bligh. With humid percussion, bright piano and the emphatic, immersive vocals of Radical Son himself, Until You Call My Name flourishes in its beautifully-crafted simplicity, beating at its core with the magic sparked between Radical Son’s work with Robinson and Longfoot at Full Circle Audio in Redfern, alongside Wantok Music. And for Radical Son, Until You Call My Name holds a special place in his heart, as he explains, “Proud of this piece. Of all the works that I have created, it’s one of my favourites.”
Another taste of Radical Son’s highly anticipated sophomore album Biliyambil (The Learning) which is set for release in early 2024, Until You Call My Name is a poignant yet powerful ode to finding happiness in moments of chaos, with Radical Son’s commanding vocals soaring above an ambient glow, declaring “I hear you call my name / Wanting to engage / We’re all finding our way / We’re coping with the struggle”. And in a world consistently divided and full of unrest, Until You Call My Name offers a calming balm as well as a timely reminder to look for what matters most in the darkness, as Radical Son shares, “For those divided and lost, pulled or drawn in many directions both externally and internally. I’m mindful that we are all finding our way and that as hard as it may sometimes be just getting by in life, it is my hope that we find a way to live life, to love.”
One of the mightiest and most compelling artists in the Australian cultural scene, Radical Son channels his experiences from his challenging past into immense power and resolve, with his trademark sound burgeoning with the urgency of hip hop and emotionally-charged soul, as witnessed by these new songs, and his first full length album 2014’s Cause N’Affect. A festival favourite, cemented recently by his show-stopping cover of his mentor Uncle Archie Roach’s Walking Into Doors, Radical Son has performed to standing ovations at Bluesfest, St Kilda Festival, VIVID, the AFL Dreamtime 2032 game, and the official Uncle Archie Roach memorial in Melbourne in 2022.
A highly-skilled concert artist, with performance with classical ensembles and high-profile collaborations under his belt with David Bridie, Emma Donovan, Frank Yamma, Lady Lash, Mau Power and Deline Briscoe, Radical Son’s artistry also expands to film and TV, with credits including Defining Moments, a six-part NITV documentary exploring life-defining experiences, and theatre work, including the lead role of Pemulwuy in I am Eora at the 2012 Sydney Festival.
Studying as a musician at The Eora Centre for Visual and Performing Arts in Redfern, as well completing a Bachelor of Music from Newcastle Conservatorium, Radical Son’s creative prowess is only matched by his otherworldly stage presence that equally transfixes and transcends with authenticity and sheer, compelling power. Cultivating his transformational life into his place as a bright fixture on Australia’s cultural landscape, Radical Son’s moving soul vocals and unique flair only strengthen with time, potently witnessed today via Until You Call My Name. And with an appearance on the horizon over the Easter weekend in 2024 at the National Folk Festival, a hub for the Australian folk community, as ever, magic is guaranteed when Radical Son takes the stage.
Until You Call My Name is out today via Wantok Musik and distributed by MGM.
FRI 20 OCT | SYDNEY OPERA HOUSE WITH EMMA DONOVAN, SYDNEY, NSW
Tickets available from https://www.sydneyoperahouse.com/birthday-festival/emma-donovan
THURS 28 MARCH – MON 1 APRIL | NATIONAL FOLK FESTIVAL, CANBERRA ACT
Tickets available from https://www.folkfestival.org.au/
COYLE GIRELLI SHARES NEW SINGLE ‘BETWEEN US’ LIFTED FROM NEW ALBUM ‘MUSEUM DAY’ SET FOR OCTOBER 27 RELEASE
A fresh and upbeat love letter to a harlequin romance, the new single Between Us out today from multi-platinum English troubadour Coye Girelli takes a charming step closer to the impending release of his third solo album, Museum Day, due out on October 27.
Set against the lyrical backdrop of the Big Apple, Between Us unfurls with Girelli’s trademark lush vocals, stirring intimacy and swooning indie pop wiles, complete with nostalgic 80s elements forged in a fire of modernity. Produced by Lorenzo Wolff, whose previous work spans Taylor Swift and Kanye West, Between Us is Girelli at his buoyant and easy going best, glowing with cinematic charm while lyrically traversing charged passion in his own adopted home of New York, as Girelli reveals, “Between Us is a love story in New York City. A love lost and found again. Distance and return. A love that persists. Yet fighting against it. The fear and curiosity. What awaits? Heartbreak or True Love?”
Taken from Girelli’s forthcoming new album, Museum Day, Between Us sits amongst 10 dazzling tracks lying in wait, including the album’s previous singles, the smooth and sentimental Museum Day and the hooky fuzz of So Predictable. Ultimately an immersive and affable journey, laden with authenticity and soulful reflection, Museum Day seamlessly extends the foundations laid out by its predecessor, 2022’s Funland, with a noticeably modern injection driving at the core of Girelli’s new outing amongst his signature trademarks. “It’s a more modern sound than Love Kills for sure,” shares Girelli. “In some way it feels like the next step on from Funland. It’s more indie and in a lot of ways more contemporary feeling. Upbeat and in the shadows. Half New York City, half Manchester, England. Stories of moments, stories about people. Stories about lovers.”
Inspired by love itself as much as Girelli’s own ardour for the likes of The Smiths, with smatterings of The National, The Drums, Big Thief, Japanese Breakfast and War On Drugs, Museum Day bustles with rosy-cheeked pop (Jane Tells A Lie), swooning ballads (Swim, Real Love) and ambient heart-breakers (Nobody), like a modern-day Roy Orbison strolling through a Hollywood romance. Tirelessly helmed by Girelli’s effervescent yet stirring vocals, soaring into the heavens on the outro for Between Us and diving into woozy calm on I Tried to Love You, Museum Day ultimately draws to a close on a stripped-back note, with New York Rain beautifully capturing the essence of Coyle Girelli’s magic: reflection, romance and riveting storytelling that places you directly into the moment alongside Girelli himself. And while the overall album is an elegant and expertly-crafted affair, the road to creating Museum Day was unexpectedly swift amongst other plans, as Girelli elaborates, “I wrote and recorded this album in a very short time, a matter of weeks really at the start of the year. I’d written what I thought was an album. Then I wrote Museum Day. I scrapped the album I had planned, and in the weeks following wrote and recorded a whole new one. Which is what I’m releasing. I purposely didn’t overthink or analyse it. I let it write itself. Tell its stories. My job was to not overcomplicate it or get in the way.”
Recently enamouring with his sophomore album, Funland, in 2022, Girelli’s musical magic as a solo artist first unveiled via his debut full length album, 2018’s Love Kills. A gifted songwriter, storyteller and creative cauldron, Girelli has also found himself hotly in demand over the years as both a songwriter and producer for multiple artists, including work with BTS, Macklemore, Robin Schulz, Westlife and more. A multi-instrumentalist who has also turned his hand and voice to musical theatre along the way, Girelli’s previous releases have been repeatedly hailed as masterpieces by the likes of Rolling Stone Australia and countless others; a fact that is witnessed once again on Museum Day and tantalisingly in the near future for Girelli’s upcoming projects.
Set to perform an immersive theatre musical show called True Love Forever in New York next year, Girelli’s star is set to boundlessly continue to rise, with the talented English-born, New York-based artist already working on a follow up to Museum Day to bless 2024’s timeline even further. And it’s ultimately the free-flowing approach that Girelli adapted while crafting Museum Day that is set to shape and solidify any and all of his future releases, as Girelli concludes, “It was very fulfilling creating in this space. In flow. I’m going to try do the same thing with my next album. Makes life easier as well when you’re not over-analysing every little detail. Let the songs do their thing. I really let my instinct lead the way on this one. It feels fresh and true.”
Between Us is out today.
Museum Day is due out Friday October 27.
BOY & BEAR UNEARTH SONGS FROM ‘HARLEQUIN DREAM’ ARCHIVES SHARING NEW SINGLE ‘ABRAHAM’ NEW EP ‘LOST DREAMS’ DUE OUT SEPTEMBER 15 + ‘HARLEQUIN DREAM’ 10 YEAR ANNIVERSARY VINYL DUE OUT SEPTEMBER 1
Exactly 10 years on from the release of their chart topping, ARIA-nominated album Harlequin Dream, Sydney’s Boy & Bear return today with a brand new single Abraham alongside the announcement of a new EP Lost Dreams; and the timing is no mere coincidence, with the new material comprised of found songs taken from the Harlequin Dream studio time. A celebration and continuation of the band’s most successful album to date, the Lost Dreams chapter launches today via the sun-soaked Abraham, ahead of the EP’s release on Friday September 15 amid the band embarking on an extensive regional tour throughout September, October and well into November.
A jubilant blend of folk, blues and pop, Abraham seamlessly unfurls with undulating vocals, sparkling instrumentation and pulsing yet sparse rhythms, equally floating and foot-stomping in trademark Boy & Bear fashion. Offering a track that is just as at home in 2023 as it was back in the band’s Harlequin Dream era, drawing inspiration from the likes of Fleetwood Mac, Crosby, Stills & Nash, Band of Horses amongst many others, Abraham’s unfettered groove-laden 70s pop charm presents as part time machine and part celebration for Boy & Bear, as lead vocalist and guitarist David Hosking explains, “I think It’s always interesting looking back and listening to old tunes. On one level the band has come such a long way but it’s also exciting to be able to reflect on the way we were approaching songwriting back then. I think we were definitely more traditional in that most songs had these big choruses and sing along moments and Abraham definitely sits in that world. Hopefully people can connect with that old approach”. And Abraham’s footloose whimsy was certainly no accident at the time, as vocalist and instrumentalist Jon Hart reflects, “It’s a bit of a time warp listening back to Abraham, I can remember where I was sitting in the studio when we recorded it and what life felt like back then. We’ve always been classic overthinkers in the studio, but I think that Abraham sounds pretty free and just like we went in and played it without labouring over it too much.”
With three new songs retrieved from the Harlequin Dream studio archives lying in wait on their upcoming EP, including the blissful Abraham, the jaunty emotives of Eye Of The Canyon and the neofolk charm of Mexico, the trip down Boy & Bear memory lane was not initially a journey the band had ever planned on taking. With all three tracks written by the band themselves, co-produced by Wayne Conolly, mixed by Phil Ek and mastered by Greg Calbi, the eventual road to Lost Dreams initially started with actual loss, with the EP’s finished singles seemingly lost in the void before the mastered files were saved and pulled from the depths. “We were all definitely aware of the songs’ existence,” says guitarist Killian Gavin, “but just like the growing folder of songs we never finish, I don’t think we ever thought they would see the light of day. We couldn’t find the files for the songs so we ended up speaking to Phil Ek (who mixed the album) to try and track down the mixes, then he put us in touch with the mastering team who were surprisingly able to track down the mastered files from 10 years ago!”. And, as bass player David Symes reveals, the unearthing of the seemingly lost tracks opened the floodgates to the Boy & Bear experience over a decade ago, “It’s like finding an old t-shirt in the bottom of the draw when you move house. Kind of like: wow, remember that!? It brings back memories and feelings from that time, everything from the light that filtered in through the window while we were recording, to the meals we shared at the end of the day.”
An organic expansion on the album that snagged multiple ARIA award nominations, a triple j award nomination and saw Boy & Bear achieve their first ever ARIA #1, as well as spawning the band’s breakout single, triple Platinum Southern Sun which has amassed over 80 million individual streams to date, Lost Dreams not only sonically expands on the Harlequin Dream universe established in 2013; its artwork also comes full circle, with Harlequin Dream’s artist Vaughan Flanagan returning to conjure the aptly dream-like Lost Dreams cover, as Gavin elaborates, “We came up with the elaborate concept and drew a mock up (very poor version compared to the final) – then we got the wonderful Vaughan Flanagan to do the heavy liftingand bring it all to life”. And as to the new cover’s concept, Hosking reveals, “We definitely came up with the concept of the artwork. We wanted it to feel dreamy to tie in with the title. There was an old film I can’t remember the name of, but it had all these cowboys attempting to tie down a T-rex which was pretty cool and that became part of the inspiration. I’ve always had a love too for anthropomorphism and wanted to embrace that to give the artwork this other worldly feeling”.
Since forming in 2009, Boy & Bear have consistently presented as a band focused on moving to the beat of their own drum, while also continually and effortlessly enamouring with their dulcet yet refreshing brand of indie rock. A band hellbent on creative curiosity and pushing themselves as musicians and songwriters, Boy & Bear have attained a level of staying power most artists could only dream of; and all without sacrificing their authentic vision and driving love for their craft. Achieving early career support from triple j and triple j Unearthed, Boy & Bear swiftly catapulted into national contenders, releasing their double-platinum debut album Moonfire in 2011, which went on to snag five coveted ARIA award wins. Since then, 2013’s Harlequin Dream and 2015’s Limit Of Love only strengthened Boy & Bear’s expansive presence, with both albums charting at #1, and Harlequin Dream marking the group’s second studio album to go Platinum. From 2019’s Suck on Light to 2023’s self-titled full length, Boy & Bear have continued to grow and strengthen professionally amidst the ever-changing musical climate – and there’s zero sign of slowing down anytime soon in the land of Boy & Bear, including a special 10 year anniversary Harlequin Dream vinyl set for release on Friday September 1 ahead of the Lost Dreams EP release two weeks later.
Having performed across the globe throughout their career, including multiple world tours and appearances at the likes of Lollapalooza, Bonnaroo, and Splendour in the Grass, Boy & Bear are equally capable and comfortable onstage to sold out crowds at the Sydney Opera House as they are performing on Conan O’Brien, and fans across Australia will be able to witness the insatiable past, present and future of Boy & Bear live in action later this year, with a huge regional tour that will kick off on September 13 in Castlemaine, Victoria, before closing out on November 26 at Queenscliff Music Festival in Victoria. With five shows already sold out, the upcoming Boy & Bear tour is set to be something truly special for all involved, as Symes shares, “Jumping up on the Band Stand and performing is a place where our songs can take on a new life and journey through the live experience. The journey of a band and a song is endless, and our live show is always evolving”. And there will be plenty of surprises as Boy & Bear continue their incredible journey into 2023 and beyond, as Hosking concludes, “A new refreshed set list of old and new tunes. It’s been fun already on the Australian tour piecing together some old songs we’d never really played alongside new songs off the new record. I like to think our set is like a train setting off. It starts off with a subtle momentum and by the end we are in full flight and feeling unstoppable.”
Abraham is out today, Wednesday August 16.
Harlequin Dream 10 year anniversary vinyl is set for release Friday September 1.
Lost Dreams is due out Friday September 15.
BOY & BEAR – UPCOMING TOUR DATES:
Tickets available from www.boyandbear.com
WED 13 SEP | THEATRE ROYAL, CASTLEMAINE VIC | 18+
THU 14 SEP | GPAC, TRARALGON VIC | ALL-AGES
FRI 15 SEP | PIER BANDROOM, FRANKSTON VIC | 18+
SAT 16 SEP| TORQUAY HOTEL, TORQUAY VIC (SOLD OUT)
SUN 17 SEP | TORQUAY HOTEL, TORQUAY VIC | 18+
THU 21 SEP | BEER DELUXE, ALBURY NSW | 18+
FRI 22 SEP | ANITAS THEATRE, THIRROUL NSW | ALL-AGES
THU 28 SEP | NEWCASTLE CIVIC THEATRE, NEWCASTLE NSW | 18+
FRI 29 SEP | DRIFTERS WHARF, CENTRAL COAST NSW | 18+
SAT 30 SEP | BLUE MOUNTAINS THEATRE + COMMUNITY HUB, BLUE MOUNTAINS NSW (SOLD OUT)
WED 4 OCT | ALBANY ENTERTAINMENT CENTRE, ALBANY WA | ALL-AGES
THU 5 OCT | THE RIVER, MARGARET RIVER WA | 18+
FRI 6 OCT | THE RIVER, MARGARET RIVER WA (SOLD OUT)
SAT 7 OCT | OUT OF THE WOODS FESTIVAL, FREMANTLE WA | 18+
WED 11 OCT | SEABREEZE HOTEL, MACKAY QLD | 18+
THU 12 OCT | MAGNUMS, AIRLIE BEACH QLD | 18+
FRI13 OCT | JCU UNIBAR, TOWNSVILLE QLD | 18+
SAT 14 OCT | TANKS ARTS CENTRE, CAIRNS QLD | 18+
SUN 15 OCT | TANKS ARTS CENTRE, CAIRNS QLD (SOLD OUT)
WED 8 NOV | KINGS BEACH TAVERN, SUNSHINE COAST QLD | 18+
THU 9 NOV | KINGS BEACH TAVERN, SUNSHINE COAST QLD (SOLD OUT)
FRI 10 NOV | BURLEIGH BAZAAR, GOLD COAST QLD | 18+
SAT 11 NOV | EMPIRE THEATRE, TOOWOOMBA QLD | ALL-AGES
SAT 23 NOV | SHOALHAVEN ENTERTAINMENT CENTRE, NOWRA NSW
SUN 26 NOV | QUEENSCLIFF MUSIC FESTIVAL, QUEENSCLIFF VIC | ALL-AGES