THE DREGGS SHARE LUMINOUS NEW SINGLE ‘PEEPS WITH THE GOODS’ DEBUT ALBUM ‘CAUGHT IN A REVERIE’ SET FOR RELEASE APRIL 26 + AUS AND NZ ALBUM HEADLINE TOUR KICKS OFF IN JUNE + APPEARING AT SPLENDOUR IN THE GRASS IN JULY
Disarming, charming and sonically warm as a summer breeze, the new single Peeps With The Goods from beloved indie-folk The Dreggs draws on the pair’s trademark vivacity, while also unfurling a fresh new direction as the band sit poised on the release of their debut album Caught In A Reverie, due out on Friday April 26. With The Dreggs set to celebrate their first-ever full length via a national Australian tour this June and July, fans can also catch some extra Dreggs infamous live magic rounding out the Aussie run with an appearance on the main stage on Saturday July 20 as part of the stacked lineup for Splendour In The Grass.
An effervescent addition to their ever-expanding repertoire, Peeps With The Goods finds The Dreggs, aka Paddy Macrae and Zane Harris, exploring new terrain, injecting elements of airy soul and gospel alongside a treatise on life as an independent artist in the modern music industry. With inspiration from fellow Aussie indie legend Matt Corby, Peeps With The Goods was fittingly conjured with the man himself, as The Dreggs’ own Paddy Macrae explains, “Matt Corby was a huge influence for this track. We were given the opportunity to write and record with Corby and this song is the result of that collaboration. The song is about the push and pull a lot of independent artists have to confront within the music industry. It’s an anthem to those who have experienced equal parts joy and frustration with their career, but also a reminder that persevering is the only way to push through and find that ‘happy place’, whatever that might mean for them.”
Working alongside Alex Henriksson as well as Corby in the studio to bring Peeps With The Goods to life, with mastering courtesy of Paul Blakey, the latest single from The Dreggs joins recent drops Take A Little Time and Places, setting the scene for a universe of magic lying in wait on the duo’s long-awaited debut album due out this April. Building on the sturdy foundations set out by their 2018 debut EP Seas Embrace, Caught In A Reverie is The Dreggs taking full, shimmering flight, with 12 songs set to delight, calm and charm. Opening with the breezy warmth of Peeps With The Goods, Caught In A Reverie sonically transports you into a daydream of acoustic percolating beauty (Train Left The Station), stirring indie folk (Places), airy stomping yarns (I’m A Little Older) and bluesy bliss (Berlin), with each passing track glowing with The Dreggs’ intuitive storytelling and vibrant instrumentation. An equally intimate and engaging journey, Caught In A Reverie unfurls its poignant core themes in the seamless hands of Macrae and Harris, with the end result emerging as one of wonder and catharsis as well as showcasing the pair’s compelling growth and shift as songwriters. “We are so beyond stoked to finally be releasing our debut album,” shares Macrae. “It’s been a long time coming and we are confident that people are going to take something from it. I would be lying if I said we weren’t nervous, however, as this is an introduction into a slightly different scope of our songwriting and where it will eventually take us. Some of the tracks may surprise some of our listeners but, alas, this is a journey for us as much as it is for our fans and it wouldn’t much of an exciting one if we kept using the same equation. The album has a lot of themes of grief spread throughout. That of denial, anger, bargaining, depression and then eventually acceptance. This album is very much a personal diary, showcasing some extremely personal thoughts, feelings, and emotions with the goal to provide listeners with an individual and very raw perspective of grief without judgement. Hopefully people will listen to this album and understand a little more of how important it is that we all experience grief as individuals, and that in itself is a good thing.”
A genuine force to be reckoned with in a live setting, as anyone who attended their respective mass-singalong sets at Spilt Milk and NYE On The Hill will attest to, The Dreggs will hit the road this June and July to launch Caught In A Reverie nationally, before rounding out their Aussie run with an appearance on the iconic Splendour In The Grass lineup. A band who can hold giant crowds in the palm of their hands with their irresistible wit and vulnerability, there will also be a few surprises in store for fans later this year onstage, as Macrae reveals, “It wouldn’t be a Dreggs show without a singalong and we’ve made sure there are plenty of magical moments throughout the set. One of the goals we have been working on is incorporating lot of moments where we can involve the crowd. On top of that, we are excited to be bringing the energy onstage with the addition of other band members. Don’t worry, it’ll still be Paddy and Zane, the folk duo, that we started out as, but just with some friends with us to turn it from a ‘performance’ to a ‘show’! We are also ecstatic to be a part of one of Australia’s largest and most well-known contemporary music festivals in Australia’s music history. It’s been a dream of ours for so long, and to be given the opportunity is absolutely wild. There’s no better way to finish up our major Aus tour than to top it off with Splendour!! We’ll see you guys there!”
Kicking off 2024 as triple j Unearthed’s first feature artist for the year, The Dreggs are only just getting started as they approach the release of their debut album. But 2024 isn’t the first year of highs for the Sunshine Coast band, with the pair catapulting from the release of their debut single Give Myself To You back in 2017 into one of Australia’s most in-demand live acts, alongside having their debut track certified Gold in Australia in 2023. Also selling over 15,000 tickets in Australia alone last year with their largest ever headline and regional tours, and mesmerising crowds of around 10,000 with their sets at Spilt Milk Festival, The Dreggs are undeniably the hottest ticket in town, with their recently announced album release week shows selling out in 48 hours – purely off the back of an Instagram post. And it’s not just at home that The Dreggs love runs deep, with the duo also continuing to turn heads overseas, with their return to the UK and Europe this May set to deliver their biggest headline shows to date.
Peeps With The Goods is out today, Friday March 22.
Caught In A Reverie is due out Friday April 26.
Streaming link: PEEPS WITH THE GOODS
THE DREGGS – UPCOMING ALBUM LAUNCH PARTIES
FRI 26 APRIL | MIAMI MARKETTA, GOLD COAST | SOLD OUT
SAT 27 APRIL | KINGS BEACH TAVERN, SUNSHINE COAST | SOLD OUT
SUN 28 APRIL | THE TRIFFID, BRISBANE | SOLD OUT
WED 1 MAY | TORQUAY HOTEL, VIC | SOLD OUT
THURS 2 MAY | NORTHCOTE SC, MELBOURNE | SOLD OUT
THE DREGGS – ALBUM TOUR – AUSTRALIA/NZ
FRI 14 JUN | HINDLEY STREET MUSIC HALL, ADELAIDE SA | ALL AGES
Tickets available from www.thedreggsmusic.com
SAT 15 JUN | METRO CITY, PERTH WA | 18+
Tickets available from www.thedreggsmusic.com
FRI 21 JUN | FORTITUDE MUSIC HALL, BRISBANE | ALL AGES
Tickets available from www.thedreggsmusic.com
FRI 28 JUN | ENMORE THEATRE, SYDNEY | ALL AGES
Tickets available from www.thedreggsmusic.com
SAT 29 JUN | FORUM, MELBOURNE | 18+
Tickets available from www.thedreggsmusic.com
SAT 20 JUL | NGARINDJIN NORTH BYRON PARKLANDS, BYRON BAY | ALL AGES
Tickets available from https://splendourinthegrass.com/tickets/
FRI 26 JUL | THE CHURCH, CHRISTCHURCH, NZ | 18+
Tickets available from www.thedreggsmusic.com
SAT 27 JUL | U BAR, DUNEDIN, NZ | 18+
Tickets available from www.thedreggsmusic.com
SUN 28 JUL | YONDER, QUEENSTOWN, NZ | 18+
Tickets available from www.thedreggsmusic.com
THU 1 AUG | SAN FRAN, WELLINGTON, NZ | 18+
Tickets available from www.thedreggsmusic.com
FRI 2 AUG | TUNING FORK, AUCKLAND, NZ | 18+
Tickets available from www.thedreggsmusic.com
JEBEDIAH SHARE NEW SINGLE + VIDEO ‘MOTIVATION’ + NEW ALBUM OIKS DUE OUT APRIL 12
A revitalising sonic spark, the upbeat new single Motivation from beloved Perth rockers Jebediah follows on from the group’s dreamy indie single Rubberman, with Motivation unfurling cleverly simple melodics fused with Jebediah’s hard-wired charm. Also accompanied by a new music video that snapshots the band in their natural element, Motivation will also feature on Jebediah’s upcoming new album OIKS; their first album since 2011’s Kosciuszko, which will arrive on April 12, 2024. Pre-orders are available now via Cooking Vinyl Australia.
Ravishing in its simplicity and hypnotic drive, Motivation is an effortless foray into, and extension of, the pillars that have endeared Jebediah to the world since first forming decades ago. From the jangly guitars and undulating melodics pulsing through its verses through to driving anthemic fuzz in its choruses, Motivation was itself motivated by the band’s initial jam sessions that ultimately led to the creation of OIKS. And while it ultimately presents as an undisputed instant Jebediah classic, Motivation also holds a special significance for the band themselves, guided by long-time band friend and OIKS producer Dave Parkin at Blackbird Studios in Perth.
“Motivation was a song that came from the initial in studio jam sessions that kick started the process of recording OIKS,” the band share of their brand new track. “At that stage, we didn’t really know what kind of album we were trying to make. We were simply getting together in a room and making noise and seeing what eventuated. Given that Motivation came from these sessions, it’s a very “band” sounding song, as opposed to some of the more experimental stuff that came along later during the recording process. It captures the sound of the band playing in a room together and we tried not to embellish it too much. This song is a bit of a band favourite for sure, so we are obviously excited about it being released as a single before the album appears.”
Filming the accompanying music video for Motivation in Melbourne, Jebediah worked alongside another long-time collaborator to conjure the laidback visuals. With Arlo Cook behind the camera, who also took the reins on the clip for Gum Up The Bearings, aka the band’s first new single in over a decade released last year, Motivation’s clip is ultimately a mellow gem that authentically captures Jebediah’s enduring multi-generational appeal. Wholesome yet gritty and a perfect accompaniment to the earworm single, the clip is also yet another tempting peek into the upcoming release of OIKS – and the band are as excited as their legion of fans are to unveil their brand new album to the world, as they reveal, “The video clip is intended to represent the simplicity of the song and the fact that we were trying to capture the raw sound of the band playing in a room together. The video was shot in Melbourne by Arlo Cook who has been following us around with a camera since 2015, taking footage at shows all around Australia. We can’t wait for everyone to hear OIKS soon. It was a labour of love that took us five years to complete, often during extremely turbulent times.”
On their impending sixth studio album, OIKS, Jebediah catapult their iconic past and present into a dazzling new era. Remaining consistently active since the release of 2011’s Kosciuszko, Jebediah surge into 2024 with their new album, showcasing their enduring creativity without ever losing sight of their influential indie and alternative rock roots that ultimately shaped the band over the years and led to the eventual creation of OIKS. From its poppin’ and rockin’ lead single Gum Up The Bearings through to the lush Rubberman and dulcet new single Motivation, the overall record was born out of experimentation while in the studio with long-time collaborator Dave Parkin (Red Jezebel, Spacey Jane). The result is an album which finds Jebediah completely at home with their sonic identity in 2024; as iconic as their breakthrough debut Slightly Odway in 1997 but with more vigour than ever before.
Closing out 2023 with a headline tour, as well as appearances in Melbourne, Sydney and Brisbane as part of Good Things Festival alongside the likes of Fall Out Boy, Limp Bizkit, Devo and Slowly Slowly, Jebediah were also cemented as Western Australian music royalty, with the band inducted into the WAM Hall Of Fame as part of the WA Music Awards last November. From emerging decades ago with infectious hooks and gritty riffs through to soundtracking the late ‘90s and early 2000s with a deluge of hits and snagging multiple ARIA Award nominations, Jebediah are equally at home wowing crowds in dimly-lit crowded pubs as they are weaving musical magic to thousands on festival stages. And with the impending release of OIKS, it feels like Jebediah are only getting warmed up for some incredible things yet to come.
Motivation is out today via Cooking Vinyl Australia.
OIKS will be released on 12 April, 2024 via Cooking Vinyl Australia
EMMA YUE SHARES INTIMATE BALLAD ‘LONELY LOVER’ AND ANNOUNCES SINGLE LAUNCH AT THE GASO UPSTAIRS ON MARCH 28
A glistening yet gritty journey into self-reflection, the brand new single Lonely Lover (out today) is the ultimate indie rock ode to independence and the pursuit of connection from Melbourne singer-songwriter Emma Yue, who will be celebrating the track’s release with a gig at The Gaso Upstairs on March 28.
Continuing Emma’s knack for weaving addictive hooks with raw lyricism, Lonely Lover thrives with serene textures and spirited vulnerability, with the track driven by buoyant instrumentation and Emma’s crystalline vocals. A compelling earworm, Lonely Lover initially began life well beyond its firm indie flavours, with Emma drawing on long-term sonic influences to shift the new track to its latest form alongside newer muses. And while Lonely Lover may stem from bittersweet sentiments, its ultimate effect is one of hope, as Emma explains, “This single is probably the most honest and raw song I’ve released so far. It represents so much of my reality and feels so authentic to myself, which makes it sort of terrifying to share. When that fear and doubt comes up in my mind I’ve gotten into the habit of reminding myself that I really want to share it so that maybe people who can relate feel a little less alone and a little more optimistic. Around the time of writing it, I was really getting into some Aussie bands like Spacey Jane, but also absolutely obsessed with the song Kilby Girl by The Backseat Lovers. I think those influences came through a bit, while also having grown up listening to Taylor Swift all through my teenage years, her lyrical influence is definitely felt too. When I originally wrote the song, it was far more singer-songwriter and had a country rock feel to it, which I wanted to lean away from a bit. I worked with an incredible producer, Gus Cannon, who took the song and my description of how I wanted it be and gave it the sound it has now. He has been a huge influence on the finished product that we’re both incredibly proud of.”
With Marcelina Permatasari on drums, Gus Cannon on co-production and backing vocals, and Brad Jackson on co-production, mixing and mastering duties, Lonely Lover not only carries stylistic nods to Emma’s past and present; it also captures her own personal experiences with loneliness and isolation, emerging with a catchy yet universally relatable sonic gem. “When I wrote the song it was after a night out with a friend of mine and her long-time childhood friend who had come to visit her,” Emma explains. “I had such a lovely time with them both, but seeing their familiarity and effortless closeness made me feel incredibly lonely and got me thinking about my friendships and how moving countries at age 10 and 12 had played its role in them. That was about three years ago now, and since then the meaning of the song has very much changed to being about the loneliness of having a difficult emotional relationship with my parents. I was also reflecting on other parts of my life so far where I had felt lonely, growing up as a woman of colour in a predominantly white society, being a member of the LGBTQ community and being neurodivergent were all things that had made me feel socially isolated at various points too. While the song sounds upbeat and defiant and like an anthem of independence, it really is just about a girl who has a soul-deep loneliness and realises the only way that’s going to change is to become everything she needed for herself.”
A self-confessed purveyor of the phrase ‘do it for the plot’, Emma Yue has been capturing her effortlessly poetic creativity since an early age, first penning lyrics in the dark when she was eight before transforming her words into songs in her teens, channelling her craft as a form of self-expression and catharsis that has carried over into adulthood. Embodying the rollercoaster ups and downs of your early 20s, Emma pairs her personal experiences with themes of self-identity, sex, relationships, and mental health fused with genre-blending indie, pop rock, and punk sounds. Deeply driven by emotions, Emma’s musical vibe transports you to deeply intimate and familiar places; think wine drunk on the floor with your closest friends, speaking about taboo topics, stomach sore from laughing while knowing you need to be up early the next morning for work. Emma also firmly carries this feeling onto the stage with her five-piece band, and while her latest single Lonely Lover may be releasing on Valentine’s Day in 2024 – it certainly isn’t your average love song for the broken hearted, as Emma concludes, “To be honest I just thought it was a bit comical, I knew I wanted to release the song in mid-February and it didn’t occur to me to release it on that day until I saw the automatic “Valentine’s Day” event that Apple has in my calendar. While the song isn’t actually about romantic relationships, it definitely could be interpreted that way, and we absolutely love the kickass single independent queens of the world.”
Lonely Lover is out today, Wednesday February 14.
Tickets are available now to The Gaso Upstairs on March 28.
LONELY LOVER SINGLE LAUNCH | THU 28 MARCH | THE GASO UPSTAIRS | TICKETS