GOLDING ANNOUNCE NEW SINGLE & VIDEO BOXING UNDERWATER FEAT. CAILIN RUSSO

Indie electronic stunners Golding have today announced their neoteric new single Boxing Underwater, a meandering, expressive track that ponders – will the magnetic force that drew two people together still exist when those people are sober? Co-written with beloved pop songwriter Jarryd James and featuring the breathtakingly understated vocals of Cailin Russo, Boxing Underwater is out today.

Boxing Underwater is evocative of indie-electro-pop influences such as RÜFÜS DU SOL, Running Touch, and Chet Faker, yet Golding continues to carve a unique path for themselves through their intricate, hooky vocal melodies, modern, sharp production, and clever lyrical turns that keep the listener guessing. Boxing Underwater is particularly special, co-written alongside global superstar and master melodist Jarryd James, as lead singer Jay from Golding explains, “Jarryd has always been a huge inspiration and someone I’ve looked up to as an artist. He’s always encouraged me to explore my musical freedoms and demonstrated the idea of ‘you can do anything’, there’s no rules in songwriting. To finally be creating in a room with him was a special moment for me.”

Working alongside LA artist Cailin Russo was another snappy opportunity for Golding – and she is a perfect choice for this track, as her voice floats delicately amongst the hypnotic electronic bed of instruments. Reflecting on their time working together, Jay remarks, “We didn’t realise that the song could grow even more until Cailin came on to feature. I’ve been a fan of Cailin’s music for years and have always had her in the back of my mind as someone I’d like to work with. Her vocals really helped set the tone and the mood of the song, all the pieces fell into place.”

The mood of the track is wistful, even a little melancholy, but undeniably beautiful. There’s room for the listener’s interpretation, yet another alluring charm – the audience will interpret each word and each textural movement differently, as Jay explains, “I love how creatively vague the lyrics are. I really want people to find their own meaning within the track and hope the lyrics can speak to people in their own way. Boxing Underwater is a melodic expression that evokes emotion through the sonics of the track, allowing listeners to create their own sub-narrative and imagery in their minds.”

Filmed and directed by Nicholas Stevens (Havana Brown, Manu Crooks, Onefour) at Fastback Studios, the video for Boxing Underwater is engaging and beautifully shot, taking on a life of its own, as Matt explains, “It was really important to us to show varying sides of relationships, not just the good but the bad too. We wanted to capture the emotion of a real relationship so we were lucky enough to have real-life couple Mikalah and Zohar star in the clip, you can truly feel the love and chemistry between them as you watch the video unfold.”

After the success of their recent collaboration with Boo Seeka on Don’t Waste Your Love and previous single Alone. Together now on its way to notching up 2 million streams on Spotify alone (and spawning that ultracool Touch Sensitive remix), it’s a thrill to see this electrifying duo back again so soon, and with such a strong offering. This really is just a taste of what is to come from Golding.

Boxing Underwater feat. Cailin Russo is out today.
Golding is Jay Bainbridge and Matt Bartlem.

“‘Boxing Underwater’ sees the pair – comprising Jay Bainbridge and Matt Bartlem – working with US artist Cailin Russo to create the uplifting, melodic single which sees razor sharp production, slick musicianship, and clever lyrical turns coming together to create an impressive pop tune” Rolling Stone AU

RÜFÜS DU SOL RETURN WITH NEW SINGLE ALIVE

RÜFÜS DU SOL have been quiet. Quietly looking inwards, quietly crafting a new world to explore with their fans, quietly relearning what it means to be Alive…

Today the band continues its legacy as global leaders of the live-electronic movement, releasing the first new music since their Grammy nominated 2018 SOLACE album. Alive, out now on Rose Avenue and Reprise / Warner Records, is a transcendent take from a group that have built a career on defying expectations.

Listen to ‘Alive’ by RÜFÜS DU SOL: https://rufusdusol.lnk.to/alive

Premiered today on The Zane Lowe Show, Alive is adorned with haunting lyricism and inventive broken beat percussion, encapsulating the highs and lows of a lost but not forgotten year. RÜFÜS DU SOL’s lead singer Tyrone calls out with a sense of urgent and naked emotion, these are intensely personal lyrics for him, yet they encapsulate the feelings many of us have endured the past year:

There’s a pain in my chest that I can’t describe
It takes me down and leaves me there
When I talk to the night I can feel it’s stare
It creeps inside and meets me there…..

At least I’m alive…

Alive is the initial taste of what the band’s reemergence sounds like; a retention of the darkness they have consistently explored, notably on SOLACE, paired with a glistening energy aimed to uplift and uphold their dedication to wowing larger than life dancefloors.

Alive begins to sculpt the first look into a new world for the band and their fans to cohabitate, a continuation of the exploration of place that defines the way they write and perform music. From their debut album recorded on the coast of Australia, onwards to the brooding BLOOM written in the streets of techno mecca Berlin, to SOLACE’s glimpse of the darker side of Los Angeles, the trio now push outwards, less bound by Geographical location, to the wider reaches of space and time.

In lead singer Tyrone Lindqvist’s own words, “It’s a heavier song in some ways, but at its core it’s hopeful. We are – all of us – living in this transitional moment right now and we wanted to focus on the hope that the future holds for us all. To focus on the light at the end of this tunnel.”

This announcement comes alongside the reveal of the band’s North American Fall Tour, and they have already experienced an immense demand for their live return, selling 70,000 tickets in three days for their largest headlining shows to date at Los Angeles Banc of California Stadium. The onsale was a true barometer for just how deeply fans crave the sonic escapism RÜFÜS DU SOL work to deliver at every show. This banner moment joins two sold out nights at Red Rocks Amphitheater in August, and a bevy of headlining festival appearances already announced including Governors Ball, Austin City Limits, III Points and more.

Armed with platinum-certified albums ATLAS and BLOOM and gold album SOLACE, all of which spawned multi-platinum, platinum and gold singles Take Me, Sundream, Desert Night, You Were Right, Like An Animal, Say A Prayer For Me, Innerbloom, Underwater and You Were Right, and with 2020’s Live From Joshua Tree Live album and film accumulating over 11 million views and 20 million streams, it’s safe to say Aussies are definitely ready for new RÜFÜS DU SOL.

RYAN MEEKING ANNOUNCES NEW SINGLE & VIDEO ENDLESS RUN

Melbourne’s newest indie pop master Ryan Meeking has today shared his fresh cinematic single Endless Run. An evocative work, set within the joyous bloom of festival party culture, Endless Run is rich with euphoric abandon. Its visceral, multi-layered rhythm celebrates a summer to end all summers, its engaging lyrics highlighting the intense relationships that follow.

Meeking has released a stunningly bold video to accompany the track, inspired by human movement and directed by filmmaker and photographer Rick Clifford (Ainslie Wills, Bad Pony, Tori Forsyth). After having his music featured on massive television shows such as Suits, So You Think You Can Dance USA and Teen Wolf, Ryan Meeking (Whitaker, Gossling) is moving from one musical world to the next with this standout pop gem. And he’ll be celebrating the release with a launch show at Small Time (Brunswick) on August 12, tickets are available now.

Endless Run feels like just like its namesake – an infinite, beautiful journey into the unknown, characterised by an undeniable groove; Meeking’s cool, calm voice; clever melodies; and sharp, concise production. The track has influences of Jack Garrett, Gotye, and Benee, but feels particularly unique to Meeking and speaks to years spent intently, passionately studying pop writing. Co-produced and engineered by Sam Swain (Josh Cashman, Obscura Hail) and mastered by Randy Merrill (Taylor Swift, Lady Gaga, Justin Bieber), Endless Run is a heady, all-encompassing track. Meeking explains: “You’re in the festival crowd. Drink it in. Your friends, thousands of others, the music, the party, the complete loss of any sense of time and space – and who cares: the community in that. Everything is now, everything is amazing and its just the beginning. Welcome to your Endless Run.”

The video for Endless Run is a brilliant spectacle of light and movement, somehow both nostalgic and futuristic all at once. Meeking dances alone in this colourful world, and the result is hypnotic. Speaking on how the clip was developed – Meeking explains, “We knew we wanted to place the clip in a ‘nowhere’ space, an unnatural world created especially for the audience – like all my new music to come – so we took a risk on a rare new piece of lighting tech to get us there and it totally paid off. In fact, it really took on a character and life of its own. This is also the first time I’ve worked on music and really thought about how it sat in my body, so we went through a bunch of ideas on how to put human movement at the centre of the clip. In the end, nothing made more sense than what you see. A peppering of strange sci-fi vibes, some Rick Clifford magic, and we had a clip for Endless Run.”

Endless Run is another stellar addition to Ryan Meeking’s glowing and diverse discography, one which demonstrates his lifelong pursuit of music and art, and dedication to his craft, as he describes, “I talk a lot about music production because it’s something I’m incredibly drawn to, but nothing matters to me more than the song. So making music is always a balance between these two elements. My affinity with music started with my grandparents’ piano and took root in the theatre, watching family perform in musicals like Les Misérables. Something about that art form stuck with me – the bare, honest storytelling set to intricate, clever composition – music that doesn’t hold back. I don’t write for the theatre, but those qualities are something I’ve never escaped chasing in my own music. I guess I always think, ‘Why limit anything if the song can carry it?’ Making Endless Run was no exception.”

Endless Run is out July 14.
Tickets to the Small Time launch show on August 12 are available now.

THU 12 AUG | SMALL TIME, BRUNSWICK VIC | ALL AGES
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