BOBBY MAGUIRE SHARES NEW SINGLE & VIDEO MOVING TO THE CITY

Queensland-based singer songwriter Bobby Maguire has today announced his new single Moving to the City, a sweet song written to inspire self-confidence in the young artist before a big life change, out now. The song is also accompanied by a charming clip, and reflects a hilarious, whimsical journey from the country to the city. Moving to the City is the first taste of Bobby Maguire’s debut self-titled album, released on November 29.

Moving to the City is a poppy, chirpy track, and it’s pretty hard not to smile as the honest, uplifting lyrics play out. It’s refreshing to allow this acoustic guitar-driven track to wash over and perhaps reminisce about moving from a childhood home to a college dorm or first sharehouse. It’s sentimental, but fun, and exudes enthusiasm and anticipation, as Bobby explains, “Moving to the City was inspired by bands like The Cure and The Kooks, it deals with the loss of a past life as well as growth and a need to move forward with a new chapter. I wrote this song as a form of encouragement for myself to embrace this new journey.”

The clip for Moving to the City is delightful in its lofi nature, and a truly funny watch, particularly to anyone who has been a victim to the often-disastrous search for the right rental property. Entirely self-made, with the help of good friends and family, the clip has a lovable, quirky edge, and showcases a comedic side to this talented young artist. Speaking on the making of the clip, Bobby says, “The video clip is raw and fun, it doesn’t take itself too seriously in order to reflect the sunny, lively feel of the song. It features me playing multiple characters and was shot with a minimal budget, and the aim of the clip is to connect with the audience on a down-to-earth level, so that they don’t get lost in gloss and feel more connected to the song.”

Bobby’s debut self-titled album is a heartwarming, painstakingly curated collection of brilliant, sharp songwriting. Upbeat, yet emotive, listeners will be buoyed by the sweet lyricism in Black Dog and Get What You Take, and compelled to the dancefloor by tracks Ifs and Maybes and Outta My Head. Recorded with Cairns-based Kris Hutchinson, with a sound evocative of Thirsty Merc and Bernard Fanning, the album is a coming of age story, as Bobby describes, “The album follows my musical journey so far, beginning with uplifting tracks Moving to the City and Home which I began writing when I was fifteen. As the album progresses, a more punk rock feel emerges through songs Fight the Fear, Game and The Messenger which mirror battles with identity, dependence and anger. Introspection is also woven through the album with songs like Black Dog which speaks of mental health issues from a friend’s perspective, as well as Get What You Take which is about accountability for your actions, as well as self acceptance and love.” Sharing more insight into the recording process, he says, “ Before production began I already had ten self produced demos with all the instruments and arrangements finalised. These complete demos helped me secure a Regional Arts Development Fund grant, which enabled me to begin recording with Kris Hutchinson. Kris had great advice, amazing patience and even played bass on a few tracks.”

Bobby Maguire’s self-titled album is out now

THE BUTTERFLY EFFECT JOIN GOOD THINGS NEW SINGLE UNBROKEN – OUT NOW

The Butterfly Effect have made a triumphant return. Off the back of a sold out tour and a soaring new single, the beloved Aussie rockers have just been added to the lineup for Good Things festival, which will see them playing massive shows alongside Parkway Drive, A Day To Remember, Karnivool, Simple Plan, Violent Soho and heaps more in Melbourne, Sydney and Brisbane next month. Their addition to Good Things follows the release of their spectacular new single Unbroken, their first new musical offering in over a decade.

“There is always something so very special about playing a festival – the noise, the crowds, the vibe and the amazing camaraderie that brings people together, ‘Good Things’ for everyone,” says lead vocalist Clint Boge. “And there is no other place we’d rather be, than sharing the stage with such an amazing line up – Australia has some of the most dedicated festival fans and we can’t wait to get amongst it.”

Formed in 1999, The Butterfly Effect have enjoyed an illustrious career racking up some impressive stats, including three massive albums – all certified Gold – multiple appearances at renowned festivals including Livid, Falls Festival, Big Day Out and more, countless national and overseas tours, six consecutive years in triple j’s Hottest 100, three features on triple j’s Live at the Wireless, and a number one-selling DVD documentary and concert film.

Despite sustained successes throughout the 00’s, the rigours of band life took their toll on the band – and in 2014 The Butterfly Effect went on indefinite hiatus. After reconnecting at a rock show one night, the guys decided that a beer and a chat was in order. That catch up eventually led to a sold out national tour last year, and an ongoing desire to continue making music, which saw The Butterfly Effect jump into the studio, and as a result, the bold new single Unbroken was born. The melancholic track is a refreshingly honest and impassioned offering from the experienced hard rockers, and one that proves their creative connection is stronger than ever. Reflecting on the inspiration of the track, Boge insights, “I realised my whole world was falling apart, relationships were breaking down and every thing I’d known was crumbling around me. With seemingly very little to hold onto I found an inner strength and the will to keep going, to keep getting out of bed although every part of me wanted to hide away from the world. This song and these lyrics represent that struggle, to remain unbroken.”

The Butterfly Effect are pumped to be joining the Good Things lineup with new music, old faves and a stompingly exhilarating live show to offer audiences a smack-in-the-face reminder of the sheer force and power that is The Butterfly Effect. “We’re back playing our first festival in over a decade, we are super stoked and can’t wait to see you all. Bring on Good Things,” enthuses Boge.

The Butterfly Effect is Ben Hall (drums), Clint Boge (lead vocals), Glenn Edmond (bass guitar) and Kurt Goedhart (lead guitar).

GOOD THINGS 2019 – STAGE 3, 3:00-3:45PM
Friday 6 December – Flemington Racecourse, Melbourne
Saturday 7 December – Centennial Park, Sydney
Sunday 8 December – Brisbane Showgrounds, Brisbane
Tickets from www.oztix.com.au

BEACHWOOD ANNOUNCE NEW SINGLE MARBLES + BEACH BOYS COVER GOD ONLY KNOWS

The effortlessly cool Beachwood have today announced two singles Marbles and God Only Knows (out today, October 25). Their compelling, hypnotic brand of electro pop shines bright on both tracks; completely mastering an unexpected cover in God Only Knows, and documenting a gradual lapse of sanity in Marbles. Beachwood (otherwise known as Jarrad Rogers and Angeline Armstrong) are the new kids on the block – only these multi medium artists already know exactly who they are, and are already making waves across the globe. After working with massive international artists such as Charli XCX, 5 Seconds of Summer, Lana Del Rey and Lauryn Hill, and much loved Australian artists Montaigne, Daniel Johns and Luke Steele (Empire of the Sun), it’s finally time for Jarrad and Ange of Beachwood to step to the front.

Their new original track Marbles was conceived in Los Angeles and features Texan MC Tray Haggerty, and you can almost hear the buzzing heat in the final release. Surprising beat changes, inventive melodic vocal ideas, almost overwhelming synthesisers and hits are all contained within Marbles. It feels like a true masterclass in marrying the art of songwriting and the art of production and the end result is one very exciting pop song. Speaking on the inspiration behind the single, Jarrad says, “Sometimes, caught up in the moment, we find ourselves saying and acting like someone we don’t even recognise – someone who is not at all the person we want to be deep down – that sort of inner struggle just seems to be a part of human nature. It was cool to work together on a song that found a way to really capture that universal feeling of letting someone you love down, of ‘losing your mind, your grip on things, your marbles.’”

God Only Knows may seem a strange fit as a cover for a modern electronic pop duo – but Beachwood’s version of this classic Beach Boys hit is the track you never knew you needed. Eerie, progressive and warm, the gorgeous nature of this stunning song glows in Beachwood’s thoughtful remake. Angeline’s voice is soft and emotive as impressive production swells and recedes with stunning technical prowess. This cover highlights the melancholy within God Only Knows, as Ange explains, “God Only Knows is such a sweet, romantic sounding song – but when you dig deeper and pay attention to the lyrics, it’s quite bittersweet and dark – there’s a real desperation and longing in it. That same longing and bittersweet feeling exists in both of our new tracks: hidden beneath pulsating pop beats and big progressive sounds, there’s the raw voice of a desperate longing for a relationship that won’t spoil or break. I think that taps into something very personal for all of us, no matter how deeply buried.”

The decision to release the two songs side by side was one that felt natural to Beachwood, as Ange reflects, “It’s always nice to give people more. As artists we’re always so hungry to release our music faster than is sometimes possible – it feels really good to just let go and hand these two over to the world all at once. We wanted to do something a little different – there’s a big focus on releasing one single at a time these days, but we felt that there was a bit of a story here in releasing both together. We love re-imagining songs, especially ones as amazing as God Only Knows.” No matter what the song, the Beachwood sound will always come through.

Beachwood is Jarrad Rogers and Angeline Armstrong.

Marbles and God Only Knows are released today, October 25, both through BMG.