THE BUTTERFLY EFFECT JOIN GOOD THINGS NEW SINGLE UNBROKEN – OUT NOW

The Butterfly Effect have made a triumphant return. Off the back of a sold out tour and a soaring new single, the beloved Aussie rockers have just been added to the lineup for Good Things festival, which will see them playing massive shows alongside Parkway Drive, A Day To Remember, Karnivool, Simple Plan, Violent Soho and heaps more in Melbourne, Sydney and Brisbane next month. Their addition to Good Things follows the release of their spectacular new single Unbroken, their first new musical offering in over a decade.

“There is always something so very special about playing a festival – the noise, the crowds, the vibe and the amazing camaraderie that brings people together, ‘Good Things’ for everyone,” says lead vocalist Clint Boge. “And there is no other place we’d rather be, than sharing the stage with such an amazing line up – Australia has some of the most dedicated festival fans and we can’t wait to get amongst it.”

Formed in 1999, The Butterfly Effect have enjoyed an illustrious career racking up some impressive stats, including three massive albums – all certified Gold – multiple appearances at renowned festivals including Livid, Falls Festival, Big Day Out and more, countless national and overseas tours, six consecutive years in triple j’s Hottest 100, three features on triple j’s Live at the Wireless, and a number one-selling DVD documentary and concert film.

Despite sustained successes throughout the 00’s, the rigours of band life took their toll on the band – and in 2014 The Butterfly Effect went on indefinite hiatus. After reconnecting at a rock show one night, the guys decided that a beer and a chat was in order. That catch up eventually led to a sold out national tour last year, and an ongoing desire to continue making music, which saw The Butterfly Effect jump into the studio, and as a result, the bold new single Unbroken was born. The melancholic track is a refreshingly honest and impassioned offering from the experienced hard rockers, and one that proves their creative connection is stronger than ever. Reflecting on the inspiration of the track, Boge insights, “I realised my whole world was falling apart, relationships were breaking down and every thing I’d known was crumbling around me. With seemingly very little to hold onto I found an inner strength and the will to keep going, to keep getting out of bed although every part of me wanted to hide away from the world. This song and these lyrics represent that struggle, to remain unbroken.”

The Butterfly Effect are pumped to be joining the Good Things lineup with new music, old faves and a stompingly exhilarating live show to offer audiences a smack-in-the-face reminder of the sheer force and power that is The Butterfly Effect. “We’re back playing our first festival in over a decade, we are super stoked and can’t wait to see you all. Bring on Good Things,” enthuses Boge.

The Butterfly Effect is Ben Hall (drums), Clint Boge (lead vocals), Glenn Edmond (bass guitar) and Kurt Goedhart (lead guitar).

GOOD THINGS 2019 – STAGE 3, 3:00-3:45PM
Friday 6 December – Flemington Racecourse, Melbourne
Saturday 7 December – Centennial Park, Sydney
Sunday 8 December – Brisbane Showgrounds, Brisbane
Tickets from www.oztix.com.au

SOLOMON CROOK (NZ) DROPS RAW AND AFFECTING NEW SINGLE & VIDEO ‘THE DAY I THOUGHT ABOUT DYING’

The enigmatic Solomon Crook has today announced his new single The Day I Thought About Dying, an immensely powerful track that will prompt the listener to consider the mark they will leave on the world once they’ve left it, out today, October 25. Solomon Crook has also announced a truly stunning clip to accompany The Day I Thought About Dying. Directed by Oscar Keys and created in collaboration with talented choreographer Raquel Abolins-Reid, lighting designer Sebastian Fraser, designers Ruby Malcolm and Charlie Walkley and cinematographer/blocker Solomon Drader, the clip is a precise, divine experience with profound meaning.

The Day I Thought About Dying is a track that will remain with the listener long after it finishes. As steeped in meaning as the title itself, this eclectic song will bouy even the most downtrodden spirit; something about the deep introspection and bravery that emanates from The Day I Thought About Dying is undeniably magnetic and hypnotic. Produced by Devin Abrams (Pacific Heights, ex Shapeshifter and producer for Drax Project, The Adults et al), and for fans of Bon Iver and Matt Corby, this track maintains a bed of electronics that lays the foundation for a breathtaking vocal performance from Solomon Crook. Acoustic elements enmesh themselves amongst sharp production, and the end result is a deep, swelling, mighty piece of music. “This song explores the uncontrollable feelings of loneliness and isolation that we can all face,” says Solomon. “I wrote this song in a time when I was feeling separated from people I should have felt closest to. I felt this need to escape and break free of this helpless feeling but not knowing how. This song is me internalising these feelings and thoughts, reflecting on them and trying to understand them.”

The clip for The Day I Thought About Dying is appropriately commanding. Set amongst the ornate, story-laden walls of the Greek Orthodox Church Of Transfiguration, Solomon deals with unrest, in the form of shrouded figures contorting around him. These figures overtake him, as they cover him, twisting him around the church. Through a sliver in time, he spies a way out of this turmoil. Once complacent, Solomon finds himself now fighting his demons, managing to break free for an instant – and hurtles himself towards the darkness.

It is impossible to look away, as Solomon sings desperately into the camera, and the viewer is sure to be irrevocably moved by this clip. Describing the creation of the clip, Solomon says, “The filming of the music video was a such a special experience – the collaboration that was shared throughout the whole process allowed for a common vision of what we all wanted to achieve. Oscar’s original narrative and concept beautifully supports the lyrical content within the song, whilst giving it a hopeful sentiment that you can break through these feelings of darkness, like the figures in the video. I couldn’t be more grateful to work with such creative and expressive friends.”

The Day I Thought About Dying is just a taste of what’s to come from this talented young artist, and plans are in place for a second EP from Solomon Crook in 2020. Already having supported the likes of Amy Shark and The Teskey Brothers, and garnering hundreds of thousands of streams for his debut release Love Juice, it’s quite clear that this is just the beginning for Solomon Crook.

The Day I Thought About Dying is available to stream and buy now.

BEACHWOOD ANNOUNCE NEW SINGLE MARBLES + BEACH BOYS COVER GOD ONLY KNOWS

The effortlessly cool Beachwood have today announced two singles Marbles and God Only Knows (out today, October 25). Their compelling, hypnotic brand of electro pop shines bright on both tracks; completely mastering an unexpected cover in God Only Knows, and documenting a gradual lapse of sanity in Marbles. Beachwood (otherwise known as Jarrad Rogers and Angeline Armstrong) are the new kids on the block – only these multi medium artists already know exactly who they are, and are already making waves across the globe. After working with massive international artists such as Charli XCX, 5 Seconds of Summer, Lana Del Rey and Lauryn Hill, and much loved Australian artists Montaigne, Daniel Johns and Luke Steele (Empire of the Sun), it’s finally time for Jarrad and Ange of Beachwood to step to the front.

Their new original track Marbles was conceived in Los Angeles and features Texan MC Tray Haggerty, and you can almost hear the buzzing heat in the final release. Surprising beat changes, inventive melodic vocal ideas, almost overwhelming synthesisers and hits are all contained within Marbles. It feels like a true masterclass in marrying the art of songwriting and the art of production and the end result is one very exciting pop song. Speaking on the inspiration behind the single, Jarrad says, “Sometimes, caught up in the moment, we find ourselves saying and acting like someone we don’t even recognise – someone who is not at all the person we want to be deep down – that sort of inner struggle just seems to be a part of human nature. It was cool to work together on a song that found a way to really capture that universal feeling of letting someone you love down, of ‘losing your mind, your grip on things, your marbles.’”

God Only Knows may seem a strange fit as a cover for a modern electronic pop duo – but Beachwood’s version of this classic Beach Boys hit is the track you never knew you needed. Eerie, progressive and warm, the gorgeous nature of this stunning song glows in Beachwood’s thoughtful remake. Angeline’s voice is soft and emotive as impressive production swells and recedes with stunning technical prowess. This cover highlights the melancholy within God Only Knows, as Ange explains, “God Only Knows is such a sweet, romantic sounding song – but when you dig deeper and pay attention to the lyrics, it’s quite bittersweet and dark – there’s a real desperation and longing in it. That same longing and bittersweet feeling exists in both of our new tracks: hidden beneath pulsating pop beats and big progressive sounds, there’s the raw voice of a desperate longing for a relationship that won’t spoil or break. I think that taps into something very personal for all of us, no matter how deeply buried.”

The decision to release the two songs side by side was one that felt natural to Beachwood, as Ange reflects, “It’s always nice to give people more. As artists we’re always so hungry to release our music faster than is sometimes possible – it feels really good to just let go and hand these two over to the world all at once. We wanted to do something a little different – there’s a big focus on releasing one single at a time these days, but we felt that there was a bit of a story here in releasing both together. We love re-imagining songs, especially ones as amazing as God Only Knows.” No matter what the song, the Beachwood sound will always come through.

Beachwood is Jarrad Rogers and Angeline Armstrong.

Marbles and God Only Knows are released today, October 25, both through BMG.