st.james SHARES NEW SINGLE ‘AQUARIUS’
A sultry, dark and immersive adventure lies in wait on Aquarius, aka the brand new single from luminous alt-pop artist st.james. Officially billowing out into the world today, Aquarius marks a stylistic shift for st.james from her earlier work; but it’s ultimately a stunning and welcome deviation, bustling with futuristic hues as well as a smattering of st.james’ more vintage trademark flair.
Aquarius crawls and undulates with glossy production and immersive layers, with st.james effortlessly sweeping and skipping vocally amongst hip hop, electronic and alt-pop undertones. Polished, poised and oozing with charisma, st.james emerges with the ultimate sonic glow-up via her new track, nodding to both the past and present simultaneously, as she explains, “I listened to a lot of The Beatles when I was writing this, Sgt. Pepper’s Lonely Hearts Club Band! I think I also subconsciously got the intensity of the vocals from listening to Halsey’s If I Can’t Have Love, I Want Power album as well. But I wanted it to feel futuristic, with a little hint of some vintage energy”.
Working alongside Luke Palmer as the primary producer, st.james also brought in Matt Bartlem as co-producer for Aquarius, with Luke and st.james initially throwing ideas around from an early demo before passing over to Matt to finesse and edit, leading to the eventual bewitching end result. Bouyed by a shared creative vision alongside her collaborators, st.james also fluidly explores intimate and universal themes throughout the visceral single, with a transcendental narrative take on the world and self realisation, as st.james elaborates, “Aquarius is about shining the light on what was once hidden in shadows. It’s personal and also written from a collective point of view. The awakening of our minds and deciding to forge our own beliefs from information presented to us, rather than consuming mindlessly and regurgitating old, tired belief systems”.
A diehard lover of all things music, st.james grew up surrounded by pop music videos and listening to the likes of David Bowie and Bob Dylan with her father along the way. Currently based on the Gold Coast after previously working and living in Melbourne for six years, and a stint in Byron Bay in 2021 filming the Netflix series Byron Baes, st.james has repeatedly enamoured in 2022 with her optimistic, heartfelt tunes via tracks like Liars and Restless Life. And presenting a fun, mysterious, layered and darkly seductive outing fit for a futuristic kingdom on her new single Aquarius, st.james also continues to look to her own past to both bolster her creative process and connect with fans, as she concludes, “My love for great, intentional lyric writing, and catchy pop hooks and melodies are my biggest sources of motivation when it comes to the music I create. It’s universally the number one way humans connect and it has the ability to change and shape your emotions and how you see the world. I find that so fascinating. I have always sung and played music but it took quite a long time to find my feet with songwriting. I had so many thoughts and feelings and no idea how to express them. Figuring out not only what I thought people would want to hear, but also what I wanted to share, was the most challenging part. I now try to write honestly, and without a censor or veil. And if it resonates with an audience then I am so happy.”
Aquarius is out now
GEORGIA FIELDS SHARES NEW SINGLE + VIDEO ‘HOLDING MY HANDS OUT’
Ever-engaging and perpetually cutting-edge, indie shapeshifter Georgia Fields once again wows with elegant ease on her bold new track Holding My Hands Out, officially released today.
A magnetic showing of fearless art-pop and searing vulnerability, Holding My Hands Out marks another sublime insight into Georgia’s upcoming third full-length album Hiraeth. The new track is accompanied by a bewitching, kaleidoscopic music video – in which we see Georgia ominously expel moths from her mouth – firmly reflecting thematic notions of rebirth, and the dark depths of the subconscious.
Georgia will be celebrating the single’s release with an all ages matinee show at Wesley Anne on Sunday July 10.
Holding My Hands Out dazzles in textural dexterity, powerful melodics, and the compelling vocal stylings of Georgia herself – as she strides freely from breathy serenity to dauntless power. Brought to life by producer, engineer & drummer Josh Barber (Gretta Ray, Emma Anglesey, Gotye), the recording process saw Georgia and Josh experiment with found objects, crafting the track’s distinctive snare sample by layering half-broken children’s toys and vintage wood percussion. Terracotta pots were played melodically with felted sticks. Finally, with the addition of Georgia’s string quartet Andromeda, it’s little wonder the end result is otherworldly, immersive and lush; a perfect adjunct to the single’s inspiration and narrative content, as Georgia elaborates:
“It’s a song about that primal desire we all have to be held. It’s about reaching your hands out for comfort, but grasping at shadows. From a songwriting perspective, I was inspired by the simple yet anthemic choruses of artists like Sarah Blasko, Weyes Blood and Sharon van Etten. I was also hugely impacted by the novel Islands, by Australian author Peggy Frew. There’s something about Peggy’s writing that cuts straight to my heart – I’ve found all her novels deeply affecting. Holding My Hands Out is partly written from the perspective of her character June, as well as June’s mother, Helen.”
The video for Holding My Hands Out features the eleventh collaboration between Georgia and independent director and cinematographer Rohan Spong. Georgia emphatically stands front-and-centre, embodying the poignant lyrics and oscillating emotives, styled in striking, statement sleeves by iconic Australian label Sass & Bide and a custom piece from Anna Cordell Clothing. As to the video concept and final mesmerising end result, Georgia shares:
“Something very special happens when I hand a song over to Rohan. His visual interpretation of my music always reveals a deeper understanding of my own songs back to me. I rarely present a video concept; I’m always keen to hear what the song sparks in his mind’s eye.”
“For Holding My Hands Out, we wanted to play with light, colour and shadow, referencing the lyrics ‘you move like a shadow’. Rohan had this idea that I could cough up moths, and they would swarm above me like a cloud of unspoken menace. I loved this because moths represent transformation and rebirth, but also disguise, our hidden nature, and the night – the realm of the subconscious. To create that feeling of non-space, or the internal landscape (similar to The Void in Stranger Things), we filmed in both the cyclorama and black room at DCF Studios in Thornbury.”
Since emerging onto the Melbourne music scene in 2010 with her critically-acclaimed self-titled debut album, Georgia has continued to sonically surprise her audience. Her solo show sees the genre-defying trailblazer swap between electric guitar, vintage keyboards, and textural live looping. Georgia is also regularly joined by her 4- piece band of multi-instrumentalists, and frequently collaborates with the Andromeda String Quartet in an ethereal, art music / chamber folk crossover. In 2020, she launched Mother Lode: an online community for self-employed musicians who are mothers.
Now, Georgia sets her sights firmly on the release of her third studio album Hiraeth; a follow-up from 2016’s Astral Debris, which garnered airplay on Douple J, ABC Radio National and community radio nationwide. Inspired by the Welsh word with no direct English translation, Georgia’s new body of work explores “a profound longing for a home you can’t return to…the nostalgia/grief for the lost places of your past”. Holding My Hands Out is a salient snippet of what’s to come on Hiraeth, while ultimately offering Georgia the chance to turn her creative verve outward once more, as she concludes:
“The process of songwriting and recording is quite an internal one for me – so I’m really looking forward to shifting my focus; sharing this song with the world, and seeing how it connects with people. It’s a vulnerable feeling, but also quite joyful.”
Holding My Hands Out is out Friday 17 June. Hiraeth is due in November 2022.
This project is supported by the Victorian Government through Creative Victoria, as well as the Australian Government through the Australia Council, its arts funding and advisory body.
HOLDING MY HANDS OUT SINGLE LAUNCH
SUN 10 JUL | WESLEY ANNE, NORTHCOTE | 3PM MATINEE | AA
CHRISTIAN RUIZ SHARES NEW SINGLE + VIDEO ‘MISS YOU’
Glossy artist and producer Christian Ruiz has shared Miss You; an effervescent slice of soothing electronic pop released today, June 15. A track detailing unexpected connections alongside calm hooks and airy vocals, as well as Christian’s debut single as a solo artist, Miss You is also accompanied by a music video to dynamically transport you into Christian’s magnetic creative world.
Miss You bubbles with warm electronic instrumentation, hypnotic rhythmics and Christian’s buoyant delivery throughout, morphing hints of The Weeknd, Ryan Tedder and Justin Bieber beneath Christian’s fresh charm; a fact made even more cohesive with mastering on the single by Colin Leonard who has previously worked alongside Justin Bieber, as well as Beyonce, Paul McCartney and Migos. Equally melodic, sentimental and irresistibly passionate, Miss You also showcases a resounding narrative, centred around accidental meetings, apprehension and, finally, acceptance, as Christian elaborates, “It’s about finding someone you didn’t expect to come across, knowing you have a strong connection with them, but being too afraid to admit it and then denying it.”
The film clip for Miss You enhances the delicate subject matter and swooning arrangements, with Christian editing, co-producing and co-directing the video alongside cinematographer Joshua Menzel. Perfectly reflecting the shift in mood and lyrics throughout the glistening tune, from gnawing negativity to ultimate acceptance, the clip places Christian firmly on display as he personally moves through the emotive journey towards an optimistic conclusion, as he elaborates, “The basic concept of the clip is me being in a desolate place, struggling to get through life and being transported to a dark place with a build up of thoughts. But it has a positive ending which brings authenticity to the song’s honest meaning.”
Mixed by Liam Quinn (Rita Ora, Ruel, Illy), Miss You may mark the first official chapter in Christian’s solo artistic adventure, but he’s certainly no stranger to the musical realms, starting from a young age when he was drawn to teaching himself how to record and produce, before moving on to work as a producer and, finally, arriving at his dream pathway in 2022: creating and releasing his own music. Prior to unveiling Miss You, Christian produced hip hop music, and had travelled to Los Angeles and Atlanta to work with artists and producers, leading to him being offered a contract with the godfather of trap music Zaytoven (Usher, The Weeknd, Drake, Young Thug, 21 Savage). But with a door unexpectedly closing, having to return back home to Australia due to the COVID-19 pandemic, some soul-searching ultimately revealed to Christian an open and extremely ready creative window; and one he is ready to share with the world, as he explains, “It feels exciting and scary at the same time to release something so close to my heart. I hope that people will relate and resonate with what I have created.”
Miss You is out today, June 15.