PALM TREE MUSIC FESTIVAL RETURNS TO SYDNEY, BRISBANE & MELBOURNE IN DECEMBER 2024 FEATURING THE CHAINSMOKERS, ALESSO, GRYFFIN, AUSTIN MILLZ, DAYA & MORE
TEG Live is thrilled to announce the return of Palm Tree Music Festival in December 2024. Following a non-stop tour of international installments, the intercontinental tropical party is back for the second year running with a stacked lineup featuring The Chainsmokers, alongside Alesso, Gryffin, Austin Millz, Daya, and more.
The iconic global event will set up paradise at Sydney Showground on December 6, Sandstone Point on December 7 and Sidney Myer Music Bowl on December 8.
A Telstra Plus pre-sale starts Monday 8 July, 12:00 noon local time and runs until Wednesday 10 July, 2:00 pm local time followed by a TEG Live pre-sale, starting Wednesday 10 July, 3:00 pm local time and ending Friday 12 July, 2:00 pm local time. Tickets go on sale to the general public Friday 12 July, 3:00 pm local time. For tickets, VIP packages and info visit www.teglive.com.au.
The inaugural Aussie edition, headlined by TIËSTO and KYGO in 2023, was a slam dunk for this universal brand which has become known for chasing down the hottest locations around the world, with Australia joining the fray alongside Hawaii, The Hamptons, Mexico, Croatia and more. Developed by KYGO, the Palm Tree branded events are inspired by the bonds and memories forged with musical friends from years of touring around the world. Now heading into its second year, Palm Tree Music Festival is fast becoming an annual calendar fave in Australia, so ready your crew and get set to make your own memories with this one-of-a-kind music event.
There is no more fitting headliner for Palm Tree Music Festival 2024 than global hitmakers The Chainsmokers, with the GRAMMY® winning duo Drew Taggart and Alex Pall set to head back to Aus for the first time in five years. The band have set the cultural tempo and delivered some of the biggest songs in the world, hosting a historic multi-year Las Vegas residency, packing arenas on multiple continents, launching first-of-its-kind games in the metaverse, and selling tens of millions of singles along the way, scoring three Diamond singles, namely the Billboard Hot 100 #1 ‘Closer’ [feat. Halsey], ‘Something Just Like This’ [with Coldplay], and ‘Don’t Let Me Down’ [feat. Daya].
Don’t miss Swedish DJ and producer Alesso’s legendary dance anthems that have seen him own stages at Coachella, Electric Daisy Carnival, Creamfields, Tomorrowland and more. Excited to be heading back to Australia, Alesso said, “Can’t express how excited I am to come back to one of my favorite countries in the world. Every time I get invited back, it’s always a highlight of the year. Aussie crowds are no question one of the best and craziest crowds. I love audiences that aren’t shy to show their enthusiasm and ready to have a good time, plus, one of the funniest people I know is from Australia, and the seafood is awesome!”
Get swept away by classically trained multi-instrumentalist Gryffin’s captivating soundscapes that have seen him gain recognition across the globe for iconic remixes of Tove Lo’s ‘Talking Body’, Maroon 5’s ‘Animals’ and more. Upon returning to Australia for Palm Tree Music Festival, Dan Gryffin said “So excited to be coming to Australia for my very first time.”
Jump into the world of genre-bending Harlem hero Austin Millz. Hailing from New York’s vibrant boroughs to taking center stage at international music festivals, Austin Millz’ innovative beats and electrifying sets have established him as a pioneering force in the global music scene. Even prior to his viral Boiler Room moment in August 2023, he is applauded industry-wide for his fusion of soul, electronic and dance music, carving out a special niche between the genres. Millz’ returns to Australia after his first headline tour in 2024 which cemented his status as a favourite on the scene.
Prepare to be dazzled by synth-pop innovator Daya. Earning a Grammy award before she was twenty, Daya’s debut single was written while she was still in high school and went double Platinum, her dance anthem with The Chainsmokers, Don’t Let Me Down sold more than 10 million copies in America alone. “I’m so excited to play the Palm Tree Fest!! It’ll be my first time ever performing in Australia and to do it alongside so many old friends will be a dream,” beams Daya.
Repping Australia proudly is one of the country’s most exciting emerging artists, Darley. From triple j rotation, to performing on mainstage at Ultra, Darley’s ascent in the music industry has not gone unnoticed, and her gratitude is real, saying, “I can’t wait to be playing on one of the world’s biggest festivals with artists I’ve looked up to my whole career”.
Sunsets, good vibes, and epic beats. Palm Tree Music Festival returns in 2024 to provide the soundtrack to your perfect summer.
Tickets go on sale to the general public Friday 12 July, 3:00 pm local time. For ticket and info visit www.teglive.com.au.
PALM TREE MUSIC FESTIVAL
FRIDAY 6 DECEMBER | SYDNEY SHOWGROUND | SYDNEY, NSW | TICKETS
SATURDAY 7 DECEMBER | SANDSTONE POINT HOTEL | BRISBANE, QLD | TICKETS
SUNDAY 8 DECEMBER | SIDNEY MYER MUSIC BOWL | MELBOURNE, VIC | TICKETS
FIND US ONLINE
TEG Live: Website | Instagram | Facebook
Palm Tree Crew: Website | Instagram | Facebook
The Chainsmokers: Website | Instagram | Facebook | YouTube
Alesso: Website | Instagram | Facebook | YouTube
Gryffin: Website | Instagram | Facebook | YouTube
Austin Millz: Website | Instagram | Facebook | X | YouTube
Daya: Instagram | Facebook | X | YouTube
Darley: Instagram | Facebook | Tik Tok| YouTube
ABOUT PALM TREE CREW:
Palm Tree Crew, originally founded by Kygo (Kyrre Gorvell Dahll) and his manager Myles Shear, is a diversified holding company that owns and operates a consumer brand, a global live events business and a multi-product investment platform, all under one unified ecosystem. Palm Tree Crew harnesses the power of business builders, investors, strategic advisors and celebrities who know how to build global brands.
For more information, please visit https://palmtreecrew.com/
ABOUT TEG LIVE
TEG Live is one of Australia’s largest presenters of live music and entertainment events. TEG Live is owned by TEG, a leading global live entertainment, ticketing and technology business. TEG operates globally and includes TEG Live, TEG Sport, TEG Experiences, TEG Dainty, TEG Van Egmond, TEG MJR, Laneway Festival, Handsome Tours, TEG Europe, TEG Asia, TEG USA, Qudos Bank Arena, Ticketek, Ovation and SXSW Sydney.
BULLY HAY SHARES UPLIFTING NEW SINGLE + VIDEO ‘WASH OFF THE WORLD’
Undulating and revitalising, the brand new single Wash Off The World out today from Tasmanian singer-songwriter Bully Hay drives home a message of empowerment and inspiration, topped off with the addition of The Tea Party’s Jeff Martin on production, recording and mixing duties. Also armed with an accompanying music video, Wash Off The World marks Bully Hay’s first single off his forthcoming debut album, Black Dogs and Songbirds due out later this year on Wednesday October 30.
“I want to get inside the ocean and wash off the world” declares Bully Hay, aka Jonathon Coleman, in the opening buoyant lines of Wash Off The World. Mimicking literal waves with its rolling and receding verses and choruses, Wash Off The World glistens with a wash of guitars and immersive textures, beckoning you to revisit time and time again with its fluctuating elements and flavours. “The sound is reminiscent of the early Powderfinger albums but has this (John) Bonham solid drum sound powering through,” shares Bully Hay. “And Jeff Martin’s influence throughout lent itself beautifully to really fill out certain sections. Often, it’s a process where the sound is shaped kind of unconsciously throughout the songwriting and recording process. I have never written a song with an artist or influence in mind and try hard not to. It’s not until after its finished, I start to recognise: ‘This sounds a little like Powderfinger or Something for Kate here and there’. And of course you can’t deny Jeff Martin’s influence across the sound. I’ve been a huge fan of Jeff and The Tea Party for over 20 years.”
Teaming up with his musical hero Jeff Martin to bring Wash Off The World to fruition, Bully Hay also channelled notions of enlightenment and awakening into the uplifting track, with Bully Hay penning the song almost a decade ago before ultimately jumping in with Martin to unleash it into the world in 2024. “Working with Jeff would be up there in the top memorable times of my life!” says Bully Hay. “I’d met Jeff through a mutual friend one night in Hobart after he played a solo gig down there. We ended up having a few drinks and sharing a few songs with each other. Jeff offered to produce a record of my songs. I let him know it was a deal as long as he played some guitar on the record, and we shook on it. At the time I thought it was just booze talking, but sure enough the next day it was all confirmed that it was going to happen. Throughout last year Jeff and his wife Melissa welcomed me into their home where I lived for about a month throughout the year and really got stuck into the songs in the studio. At first it was pretty nerve wracking as I really didn’t know what to expect. Jeff and I didn’t know each other apart from hanging out for a few hours one time after his show. And he knew nothing about me, so was most probably hoping I wasn’t some kind of psycho coming to live at his house! But as the days passed and the music was taking shape, we found we had a lot in common and became really great friends. The actual recording process was really fascinating for me. As Jeff has recorded so many albums, solo and with The Tea Party, I was just soaking it all in like a sponge. The highlights for me would be when Jeff would pick up a guitar and come up with these amazing lines to accentuate or soup up my guitar parts. I am not a lead guitarist, so to have Jeff Martin play lead on my record was pretty bloody awesome. The luck factor here is not lost on me.”
“As a producer it’s an incredible experience when you’re working with a singer and don’t have to use any of those evils like Autotune because the guy has perfect pitch every single time,” shares Jeff Martin of working with Bully Hay. “And the harmonies he comes up with…I couldn’t even do that! What Jono has accomplished – which is very rare – is that he can go from tender ballads in the style of Jeff Buckley, to country rock which reminds the listener of vintage Eagles, to these epic rock opuses.”
Engineered by Paul Pilsneniks (Silverchair, The Whitlams, Boy & Bear, Dope Lemon), Wash Off The World was also mastered by the Grammy-nominated extraordinaire Joe Carra (The Teskey Brothers, King Gizzard & The Lizard Wizard) at Crystal Mastering. The accompanying music video is an affecting piece that brings together powerful live performance as well as a moving narrative throughline. “The song to me is about breaking free of the walls imposed on us by our day-to-day grind and focussing on the important things in life.” says Bully Hay, “I used some of the lyrics of the song to create a visual representation of this, by having our protagonist literally run to the ocean to cleanse/reset his life.”
A proud Tassie boy currently based in Southern Tasmania, Bully Hay’s upbringing saw him immersed in music, with his musical family helping to ignite his lifelong passion at an early age. Ultimately inspired to become a musician by his father, who introduced him to some chords on the guitar at the age of 14, the rest well and truly was history, with the self-taught Coleman going on to learn music by ear, and performing in bands and as a solo artist for the years to follow. Settling on the moniker Bully Hay for his solo endeavours, the name was inspired by Coleman’s uncle who was one of “The Rats of Tobruk” in World War II. And now with his gaze firmly fixed on the upcoming release of his debut album, Bully Hay once again proudly flies the flag for Tasmania, with The Apple Isle intrinsically permeating through his captivating creations. “Living in Tasmania has really shaped me in my life, and very much so within my music,” Bully Hay reveals. “There’s a thread there behind a lot of songs of mine where I end up visualising certain places there, mainly coastal regions, which is why I often catch these kind of elemental lyrics (water, fire, etc.) creeping into my songs.”
“Wash Off The World is the first single from my debut album Black Dogs and Songbirds which is a full length, 11 track album I’ll be releasing later this year,” Bully Hay concludes. “Working with Jeff Martin on this album as my producer was a huge honour. He was able to draw these songs out of me and make them the best that they could possibly be. Listening to these songs, you’ll hear influences like Paul Kelly, Crowded House, Powderfinger, Soundgarden, Jeff Buckley and The Tea Party coming through, but the album now has its own Bully Hay sound. We’ve created something really special. Sharing the album will be my absolute pleasure. I can’t wait to get it out there.”
Wash Off The World is out today here https://gyro.to/WashOffTheWorld
PRESLEY DAVIS JR SHARES THREE TRACKS FROM THREE DIFFERENT GENRES RELEASES SINGLES HEART OF MY HEART, SHOWDOWN + CONVINCING ME TAKEN FROM NEW PROJECT ECLECTA TRIFECTA DUE OUT JULY 23 COMPRISING THREE ALBUMS ROADSIDE MAGNOLIA, TORANA AMERICANA + BIRDLIFE
A sentimental jazz song, a country ode to heartache and a sultry soul gem collide today in another trifecta single release from singer-songwriter, actor and creative cauldron Presley Davis Jr. Balancing various genres across his brand new tracks, Heart of My Heart, Showdown and Convincing Me, all out today, Presley’s eclectic prowess grows to new heights as he steps ever-closer to the upcoming release of three simultaneous albums; Roadside Magnolia, Torana Americana and Birdlife, with these albums forming into the amalgamated Eclecta Trifecta collective, due out on July 23.
Kicking off in swoon city, Presley’s first new single out today, Heart of My Heart, doles out the charm with ambling brass and tinkling keys as Presleyeffortlessly channels classic jazz with hints of barbershop charm throughout. A time-travelling delight that hastens you back to the golden age of Bing Crosby and poetic lyricism, Heart of My Heart also beckons another snapshot into Presley’s upcoming full length album Roadside Magnoliadropping this July as part of the Eclecta Trifecta project. “Heart of My Heart is a classic old jazz number,” shares Presley. “I love this song because of the beautiful sentiment in it. Modern pop music lyrics don’t have phrases like “I know a tear would glisten, if once more I could listen”. This was a pop song back in the day, just think about that for a moment. It’s definitely influenced by classic singers like Frank Sinatra, Bing Crosby and Dean Martin. I used to sing a lot of barbershop music when I was young and if you’re at my favourite pizza bar on a Tuesday you might hear the local barbershop group rehearsing at the next table.”
Next up, throwback country meets modern bliss via Showdown; the latest single from Presley’s forthcoming Torana Americana album as part of Eclecta Trifecta. With its crooning lyrics and sunny twang, Showdown bustles with warm instrumentals and poignant vocals, tapping into the past and the future simultaneously, as Presley explains, “I really like older country music like Willie Nelson and Hank Williams. I also like alternative country and roots artists like Gillian Welch and Anders Osborne. In this song you can hear the old with a bit of the new mixed in. This song was inspired by some of my past relationships. Sometimes you break up because it isn’t working, but then you get lonely, so you go back. Wash, rinse, repeat. We’ve all been there, haven’t we?”
And completing today’s simultaneous single release from Presley Davis Jr. is Convincing Me; a sumptuous and sleek concoction of funk and soul that could easily find itself at home soundtracking a salacious piece of cinema with its swaggering bassline and lush sonic backdrop. “I often write songs by playing a different instrument for a while,” shares Presley of conjuring Convincing Me. “Toying around with bass guitar often results in a song for me and that is what happened here. The original “scratch” lyrics for this were about going outside of your normal parameters for who you would sleep with – “you’re not my type, but…you’re convincing me.” When I revisited it, I thought that was a tad offensive so I rephrased it as “we shouldn’t go there, but you’re convincing me”. I can see this being included on a soundtrack because there is so much cheating and shagging going on in TV and movies these days. I love listening to Prince, Stevie Wonder, James Brown and I think you can definitely hear some of those influences on this track.”
The task of simultaneously creating three full-bodied and stylistically diverse albums saw Presley dive into a horde of personally meaningful genres, with the Eclecta Trifecta project also evolving from his experience during the pandemic years. Evaluating himself both personally and professionally at the time, Presley’s soul searching ultimately led to him settling on the idea to release a three-album project, with all three albums in three different styles set to release on the same day. Consisting of Roadside Magnolia, Torana Americana and Birdlife, Eclecta Trifecta spans everything from old-timey jazz to country, bluegrass, funk and soul, with all three diverse but focused albums beating at their core with Presley’s passion and deep understanding for each musical realm. Of his upcoming three albums, Presley shares, “Roadside Magnolia is a tip of the hat to my father and his lifelong dedication to performing that style of music. Torana Americana is me celebrating my love of playing and singing the music I grew up playing. Birdlife continues my obsession with all things soulful and funky. Funk has a history of including comedic tracks and there are certainly a few of those on there as well.”
Opening with the jangly Shine On Harvest Moon, Roadside Magnolia bustles with timeless whimsy and a sharp understanding of the traditional jazz genre, steadily doling out arrangements and lyrical delivery that would happily sit alongside the likes of Cole Porter (Nevertheless), alongside upbeat speakeasy vibes (Five Foot Two, Eyes Of Blue – In A Shanty, In Old Shanty Town and Sin To Tell A Lie), a stellartwist on a classic made famous by Willie Nelson and Patsy Cline (Crazy), a velvet-clad jazz take on a classic love song (It Had To Be You), and a standout adaptation of a longtime jazz staple (Lazy River).
Switching gears to an album made to be consumed on road trips or accompanied by a shot of whiskey, Torana Americana hurls a jubilant spotlight on all things country, from the toe-tappin’, string-fuelled opener Petunia through to a countrified version of a 1996 hit from The Monkees (Last Train to Clarksville), a cosy twist on a country and gospel favourite (Seven Spanish Angels), energetic bluegrass (Friend of the Devil – Blue Moon of Kentucky and A Full Time Job) as well as a stirring love song fuelled by glistening banjos (Sugarcane), and a modern alt country closer in the form of Bigger the Debt.
And from classic jazz and country licks to sleek scintillation, the third album from the Eclecta Trifecta series finds Presley embracing rhythm and blues with soul through a simultaneous vintage and contemporary lens, with seven songs lying in wait on Birdlife. From the tempered sensuality of its opening number How Can I, Presley effortlessly oozes through steamy funk (My Escape), upbeat gloss (Where You Be At), disco-ready beats (Cause I’m Rich), undulating soul (10 Shades of Blue), and an effusive celebration of tongue-in-cheek lyricism alongside breathy flutes and catchy hooks (YASWOM).
With Roadside Magnolia, Torana Americana and Birdlife all self-produced by Presley, the end result for all three full-lenghths was also cemented alongside mixing and mastering by Presley’s long-time collaborator and great friend Jason Torrens for Birdlife and Torana Americana, with Roadside Magnolia mixed in Argentina by Alejandro Rosenblat and mastered by Lucas Gomez. “I produce everything myself and can be pretty insistent on what I want based on what I hear in my head,” shares Presley. “Birdlife and Torana Americana were mixed and mastered by Jason Torrens, he owns Debasement Studios in Ferntree Gully, Victoria and has worked with Bodyjar, You Am I, Slipknot, as well as being Senior Program Leader at Collarts (Australian College of the Arts). I ended up getting Roadside Magnolia mixed in Argentina by Alejandro Rosenblat and mastered by Lucas Gomez. It is hard to find someone to mix jazz as it’s pretty niche and these guys did a great job. Be wary of mixers who say they can mix jazz without hearing an example of what they did first.”
A jack of all musical trades and adopting his stage name to honour Sammy Davis Jr., it seemed predestined that Presley Davis Jr would find himself immersed in the arts. Receiving his first guitar and tenor banjo at the age of eight from his father, a member of the Nicky Capodice Banjo Band, Presley was contracted to sing old jazz favourites six nights a week by the age of 17 and was touring North America by the age of 25, performing with different bands in different styles spanning bluegrass, blues, soul and rock. Eventually moving to his wife’s hometown of Melbourne, Presleywould find himself hemmed in by the world’s longest lockdown during the pandemic years; but rather than dull his creativity, Presley turned to his work and aspired to conjure something entirely for himself. And it’s via his upcoming trifecta album release and the independent process that Presley Jr has found the long-awaited return of full and unbridled creative fulfillment, as he explains, “This has been a real learning experience for me. I am feeling fulfilled for the first time in a long time. A lot of musicians have these dreams of doing new projects but get overwhelmed by the work involved that isn’t music related like admin and promo. Doing it yourself is genuinely hard but once you get through the first time it becomes easier. My current working theory is to record what you want, have fun and explore your creativity wherever it takes you. The music “industry” is in shambles so why not set your own goals?”
And after successfully mastering multiple genres across the space of three insatiable albums all at once, just where will Presley Davis Jr. turn his creative gaze to next? “A blues record is in the pipeline,” Presley concludes. “I am toying with a hip-hop-ish record, or at least a beats-based record followed by a rock record. Then I might retire and take up lawn bowls full time – I’m actually pretty good on the green already.”
Heart of My Heart, Showdown and Convincing Me are out today, Tuesday June 25
Roadside Magnolia, Torana Americana and Birdlife, aka the Eclecta Trifecta, are due out on Friday July 23 exclusively on Bandcamp.
| Listen: HEART OF MY HEART
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Listen: SHOWDOWN
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Listen: CONVINCING ME
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